A lively and likable group of 11 young singers -five women and six men- who entertain and seem to enjoy themselves at the same time which is always endearing. They make a pleasing sound, are easy to listen to and perform in a fun way. They employ a variety of solo singers out front during the set of songs but one in particular would benefit from a microphone as her voice is drowned by the accompanying singers.
Their songs are pop songs from the eighties up until today. It would have been good to have heard a little more variety of song. They get the audience singing one song which is fun. In a longer show, I would hope there could be more of this.
A relaxing 50 minutes.
Wednesday 31 August 2011
NT Productions in association with Citizens Theatre; One Million Tiny Plays About Britain; Hill Street Theatre; 22/8/11
This performance consists of very many short sketches set all around the UK separated by real, recorded voices of people previously interviewed and introduced by an electronic notice 'screen'. Three actors, two men and one woman perform adequately but the material is not strong enough in my opinion. However, the format gives the actors the chance to show their range, particularly of accents and this, for me, held some interest.
I presume the idea is to give an overview of life in Britain today by presenting these snapshot scenes. Some sketches are amusing, a few poignant but too many are pointless, in my view.
I presume the idea is to give an overview of life in Britain today by presenting these snapshot scenes. Some sketches are amusing, a few poignant but too many are pointless, in my view.
Ross Couper & Tom Oakes - Acoustic Music Centre - 22 August
These two young muscians created a minor storm in the 'big room' at the Acoustic Music Centre. Ross hails from Shetland and plays the fiddle with passion. Tom plays the infectious grooves on guitar. Their music is traditional but performed with a modern flair & twist. A wholly entertaining evening and recommended for traditional acoustic music loving audiences.
Gary - Arts Out West
Gary - Arts Out West
Lyngo Theatre at the Lyric, Hammersmith; Snow Play; Pleasance Above; 23/8/11
A delightful show for children between 2 and 10 years. Two men, one your usual actor, the other (German? Dutch?) rather special. They quickly captured the children's attention and held it throughout with comedy, clever tricks and much audience participation from adults and children alike, culminating in a snowball fight!
It was a simple yet meaningful, even educational plot - the changing of the seasons.
I would love to have this as a children's show in my village hall.
It was a simple yet meaningful, even educational plot - the changing of the seasons.
I would love to have this as a children's show in my village hall.
Doghouse Roses - Accoustic Music Centre 23 August
Doghouse Roses are a male/female duo from Glasgow. Paul on guitar & Iona on vocals performed to a very small audience and were wonderful. Their music covers folk, country and folk and is delivered with a natural warmth. Their own material is varied and impressive whilst covers of a few well known folk/pop songs added familarity to the evening. If your audience likes accoustic music then the Doghouse Roses are for you.
Gary - Arts Out West
Gary - Arts Out West
Le Voyageur Debout; Just Good Friends; Hill Street Theatre; 22/8/11
A beautiful, sweet show and so very French. It begins as the audience enter with a clown applying his make-up. When all are settled he addresses the audience talking about the effect of putting on such a face. Quickly Felix creates a relationship with the audience. He introduces his good friend Filomena, also dressed and made up in clown style and they begin to relate episodes of their shared life. It is clear that Felix would have liked much more than friendship.
There is story, pathos, mime and humour but in total it was very different and quite enchanting. Much comedy comes simply from Filomena's way of speaking and use of her face.
It is all just so sweet and funny - they are totally engaging throughout.
I couldn't stop smiling, even when I left.
There is story, pathos, mime and humour but in total it was very different and quite enchanting. Much comedy comes simply from Filomena's way of speaking and use of her face.
It is all just so sweet and funny - they are totally engaging throughout.
I couldn't stop smiling, even when I left.
If That's All There Is? - Inspector Sands - Pleasance courtyard - 23 August
A story about a couple about to get married & having second thoughts. Zany and somewhat difficult to follow with the stage set split for several locations. Can't see this being suitable material for rural touring and couldn't recommend.
Gary - Arts Out West
Gary - Arts Out West
In For A Pound - LIP Theatre Co. Sweet Grassmarket 25 August
Very few laughs in this so called comedy from a young cast. The story follows the lead character through Edinburgh gangland to retrieve a pound. Unfortunately the story & characters were weak and didn't hold my attention. Unsuitable for the rural circuit.
Gary - Arts Out West
Gary - Arts Out West
Those Magnificent Men - New Perspectives Theatre Co. Udderbelly's Pasture 23 August
A very entertaining and humourous 2 man show about Alcock & Brown & their flight across the Atlantic. The story moves fast through their meeting, the trip out to Newfoundland and the famous flight back to Ireland, using a whole range of stage props (which would have to be scaled down for small halls.) A well acted and comical look at a story of educational interest which would be ideal for the village hall circuit. Excellent 10/10.
Gary - Arts Out West
Gary - Arts Out West
Cul de Sac Comedians Theatre Co. Pleasance 24 August
A tale of the life of 3 ordinary men in a not so ordinary cul de sac where the never seen Tony casts a shadow over everyone. Brilliantly acted and hilarious although only half the audience seemed to think so. Perhaps some of the material was little too close to the edge and as the flyer described twisted. I thoroughly enjoyed it and at first would have recommended it but on second thoughts perhaps the material was that little bit too risque for village hall audiences. However definitely a company to check out for future material.
Gary - Arts Out West
Gary - Arts Out West
2-faced Dance Company; In the Dust; Zoo Southside;21/8/11
This was a dance company of eight male dancers dancing three separate pieces which were described in the programme provided but the meanings, apart from the basic ideas, were lost on me.
However, the choreography was quite amazing, athletic and fluid, wonderful to watch and admire.
Although it was so professional and enjoyable, I doubt whether there is a village hall spacious enough to take this show.
However, the choreography was quite amazing, athletic and fluid, wonderful to watch and admire.
Although it was so professional and enjoyable, I doubt whether there is a village hall spacious enough to take this show.
Wrens Tiny Teapot Theatre Sweet Grassmarket 22 August
A story of 7 young women serving and living together at the end of WW2. Coming from a variety of backgrounds the play explores the relationships between them and how the end of the war will affect their lives. The plot was a little preditable and didn't explore the different personalities in any depth but the story is educational and may well appeal to an older generation & therefore maybe of potential for rural touring. Not for me at present but worthy of future consideration.
Gary - Arts Out West
Gary - Arts Out West
Teasel Theatre; Grisly Tales from Tumblewater; Pleasance Attic; 22/8/11
This piece 'grabbed me' and the rest of the audience I'm sure, from the start. Dramatic, action-packed storytelling by one man playing a cast of strong characters and playing a ukelele(?) and a penny whistle. A fairy-tale atmosphere was immediately created for this fast-paced, exciting story and other 'grisly tales' were wrapped into this show seamlessly. They were clearly told or, more usually, sung and were quite special if grisly.
The set was simple - a chair, a cloth and a ladder, the last of which was cleverly used.
The performance was engaging, even memorable. It would suit family audiences and, although it could have been cut by five minutes towards the end, I strongly recommend it.
The set was simple - a chair, a cloth and a ladder, the last of which was cleverly used.
The performance was engaging, even memorable. It would suit family audiences and, although it could have been cut by five minutes towards the end, I strongly recommend it.
Show & Tell Co.vJohn Peel's Shed Underbelly 24 August
A one man show given over to the power of radio and music. Humourous in parts and delivered with warmth and charm. However it was a little slow paced and the story is unlikely to hold the interest of a rural touring audience. Therefore probably not suitable for village halls at present.
Gary - Arts Out West
Gary - Arts Out West
Inside Intelligence; Teddy and Topsy - Isadora Duncan's Love Letters to Gordon Craig;Hill Street Theatre; 21/8/11
This is a one-woman show based on letters from the famous dancer Isadora Duncan to her lover, Gordon Craig, while she was touring Europe so successfully. Very slow to start, it is basically gentle ballet interspersed with Isadora speaking aloud her letters. It's very well acted, quite moving and you certainly get the sense of a woman 'on the edge' but the story, as such, became unfocussed and disjointed about two-thirds of the way through and lost my attention.
Sold; SOLD; Pleasance Forth; 22/8/11
A play that attempts to show human trafficking as it exists today in the UK - in all its forms - a huge task but it is very succesful. Three of the twenty or so actors address the audience directly- they stand in for real people- an ex MP who has taken up the cause and two women of the Poppy Project. They are very effective; you want to donate money by the end.
It's necessarily complicated but it does focus on a handful of very different stories with which the audience can connect. Excellent acting, brilliant direction, quite moving: one moment brought me close to tears.
With a cast of 14 and definately made for an adult audience, it would not suit rural touring.
It's necessarily complicated but it does focus on a handful of very different stories with which the audience can connect. Excellent acting, brilliant direction, quite moving: one moment brought me close to tears.
With a cast of 14 and definately made for an adult audience, it would not suit rural touring.
The Wrong Crowd; The Girl with the Iron Claws; Underbelly; 23/8/11
A typical fairy tale but one new to me, acted out by four talented young actors. It was an excellent story and I was completely absorbed by it. There was much use of puppets, mainly as children, and props- heads, claws etc all of which was well executed. Many comic touches were provided by the Troll Queen and the heroine's sister (the same actor).
It went at a good pace and there was plenty of variety and visual effects to keep even small children interested. A show for the whole family - I loved it.
It went at a good pace and there was plenty of variety and visual effects to keep even small children interested. A show for the whole family - I loved it.
Citizens Theatre; The Monster in the Hall; Traverse Two; 21/8/11
The 'Monster' of the title is both a (mimed) motorbike and the unspoken fear of the daughter being taken into care as her father has MS and going blind; her mother is dead due to her speeding on the motorbike and the homelife is somewhat disfunctional. There are a few brief glimpses allowed of the underlying sadness of the situation which are all the more touching in contrast to all the comedy.Although a story that could have been a serious piece of social realism, even a real tear-jerker, it was instead very funny and full of music. All four actors often leapt out of their characters, pulling on a pair of comic glasses, to sing rock-and-role-style commentaries on the action. The pace was fast and the movement slick, brilliantly directed.
Some miming was used to great comic effect and the cast really connected to the audience who sat on every side of them. Like the rest of the audience, I really enjoyed it.
Some miming was used to great comic effect and the cast really connected to the audience who sat on every side of them. Like the rest of the audience, I really enjoyed it.
Tuesday 30 August 2011
Me myself & miss Gibbs; Francesca Millican Slater Hill Street Theatre 24 August
Good idea for a story but inexperienced delivery which didn't flow or draw the listener in. The use of video/dvd only served to stop the flow of the performance. Felt more like a lecture.
The format could be improved and with a better delivery could be suitable for ruarl touring
At present I would not book this show
The format could be improved and with a better delivery could be suitable for ruarl touring
At present I would not book this show
George Dillon: Dostoyevsky's "Dream of a Ridiculous Man" (Spotlites @ The Merchants' Hall, 24/08)
"One-man theatre at its most intelligent and most powerful" according to What's On. Yes, but thereby quite remorseless and probably not the best choice for a village hall promoter seeking to chose shows which appeal to a wide audience. Having said that, it was a very impressive performance, gripping and involving, and I was pleased to take it in as an early evening event, but I came out after the best part of an hour pleased to get back into what was left of the daylight.
Peter for Arts Out West
New Perspectives Theatre Co.: How Steeple Sinderby Wanderers Won the FA Cup (Dining Room, Gilded Balloon, 24/08)
Mark Jardine relates the tale of how an obscure village football team won the FA Cup. With a set consisting only of truncated goalposts, a washing line and a few team shirts, this is a show ideal for a village hall venue. At first I wondered how Mark, in the character of Joe Gidner, would keep our interest, but he is a skilled and accomplished performer and had no problem in keeping the audience engaged, taking us through the vicissitudes both of football and village life to ultimate feel-good victory in a seventy-five minute performance.
A big YES for rural touring potential.
A big YES for rural touring potential.
Peter for Arts Out West
New Perspectives Theatre Co.: Those Magnificent Men (Cow Barn Udderbelly, 23/08)
This two-man show, the story of Alcock and Brown's first Atlantic crossing by air, has been reviewed elsewhere. It's a really enjoyable, entertaining and remarkably informative seventy-five minutes. Clever use of props, perfect for rural touring, and suitable for all ages. Ian Shaw and Richard Earl play the parts not only of Alcock and Brown but a number of other characters, and the action moves along at a great pace.
Peter for Arts Out West
Rash Dash - Scarey Gorgeous Bedlam Theatre 17 August
Rash Dash are a Yorkshire based dance/theatre/anything that works company whose last piece, Another Someone, was a slice of joy. Scarey Gorgeous would probably not fit most RT venues and not just because it needs a fairly well-tech'ed space but this show carries an 18 certificate for strong sexual content. Two dancer/actors share the stage and the performance with a live rock band, which provides the soundtrack and an act in its own right (CDs for sale in the lobby, folks).
The two leads are women who meet to form a band (with three others), they become nearly good friends, though with a high level of rivalry when it comes to band matters. They are talented and very physical dancers and some scenes use dance only to illustrate their developing relationship. These are intercut with conventional dialogue and also narrated scenes, which bring in other characters and stories. When one of them takes marketing the band to extremes by posting pornographic pictures of herself on the band's website, we are led into a narrative describing the effects of pornography on young people's love and sex lives. As a whole, it is more fragmented and not as successful as their previous work but this is a strong young company who get a general, if not specific to this show, recommendation. Would be great to see them develop something suitable for the RT networks. Charlie, Artery.
The two leads are women who meet to form a band (with three others), they become nearly good friends, though with a high level of rivalry when it comes to band matters. They are talented and very physical dancers and some scenes use dance only to illustrate their developing relationship. These are intercut with conventional dialogue and also narrated scenes, which bring in other characters and stories. When one of them takes marketing the band to extremes by posting pornographic pictures of herself on the band's website, we are led into a narrative describing the effects of pornography on young people's love and sex lives. As a whole, it is more fragmented and not as successful as their previous work but this is a strong young company who get a general, if not specific to this show, recommendation. Would be great to see them develop something suitable for the RT networks. Charlie, Artery.
Dumbshow - Clockheart Boy C 17 August
Dumbshow had two shows at the Fringe, one for family and one for adult audiences. Clockheart Boy, for families, was dark indeed. A big company of elaborately dressed characters are set in a fantasy land, reminiscent of something Tim Burton might create. Here The Professor built a gang of machines in human form to help him search for his daughter, who disappeared one day and never returned. Many years later, the machines are in storage and the daughter still unfound. Having just decided to re-start his search and brought his machine helpers to life again, a young boy is washed up on the beach nearby. He has no heart but The Professor gives him a clockwork one and raises him as a son and a human. A terrible secret is revealed, as we discover The Professor has also made a version of his daughter, who was locked up by the other machines. Machine daughter and Clockheart Boy look set for romance but the fantasy is short lived and Clockheart Boy is killed. Although it is in his power, The Professor decides he will not revive the boy. The Muppets this ain't! While given a U cert in the Fringe programme, a young girl in my audience (one of only 2 children I saw there) was clearly very scared by moments in the play - and it didn't seem the nice squirmy kind of scared that is a feature of dark fairy tales, she was just upset. I couldn't identify what audience this was aimed at, which is a bit of a handicap when booking something so would not recommend. If this was their family show, I'd be terrified to see the adult one.
Theatre of the Widdershins - The King's Got Donkey Ears Scottish Storytelling Centre 17 August
The hoardings outside the venue had rave reviews for this show, dating from 2006 and although an enjoyable piece of kid's theatre, it felt a tiny bit tired...another day, another show. A single performer operates a number of nicely made puppets in telling the story of King Orik, given the unenviable task of deciding which God, Pan or Apollo, is most musically proficient. Rightly expecting retribution from the god he doesn't select, Orik finds himself punished by having his ears transformed into - you guessed. It's quite a wordy piece, a lot of information comes across about the story, the gods and the myths but the young audience members were well engaged and seemed to enjoy it, obligatory cute dog and all. The programme has nice touches, with full biogs for the puppet cast. Would be fine for rural venues.
Blind Summit - The Table Pleasance Dome 16 August
One of the highlights of my Fringe, this was a torrent of extraordinary creativity which, even if it left you feeling so what, was more than worth seeing just to remind yourself what stunning things can be done with a cardboard box and a table. Where do these people get their ideas, and why can't I have them? A pretty full review of this show has already been posted and I won't repeat the basics but if you have a decent blackout, it should work in your space. There's a little bit of strong language and it's not aimed directly at younger audiences but for anyone wanting a show that takes you to a different universe, this is it. Fringe First winner and deservedly.
Hardeep Singh Kohli - Chat Masala Gilded Balloon 16 August
Some light refreshment after a hard day at the Fringe, which was exactly as billed. TV celeb and well-known good cook Hardeep cooks up a curry to be shared with the audience, as he chats to a panel of guests. The guests change every show, Abi Titmuss was on the panel when I saw it - my lucky night (?). OK it's not theatre, it's probably not art in fact, though there was a slot for a band, but it was very enjoyable and I got to have some of his dahl. There is another show in the stable, the Nearly Naked Chef, which follows the same format without the guests and it would be great to think that Hardeep could be tempted to take to the RTN with this one. The kitchen is toured, complete with electric cooker and apart from access to a shop for the day's ingredients, it is techncially undemanding. Would have a nice dose of novelty value for a menu. Charlie, Artery.
The Paper Birds - Thirsty Pleasance Courtyard 16 August
I found myself in the same audience as Paul Morley, the Newsnight Review bod, who it seems didn't rave about this show and I'm not about to either. In many ways, it is a strong piece with a great small-scale set and accomplished performers but the material was lacking. Inspired by comments, blogs and messages received by the company during their research period for the show, it explored why we drink. There must have been a wealth of strong stories, sad, sorry or funny tales about why some people cannot or choose not to press the "stop" button. Snippets of these came through in the graffiti on the walls of the set - three toilet cubicles, one housing the musician - but the path we were led down followed two friends, now living in different cities, one of whom goes for a heavy-drinking night out. We see good acting, good physical theatre and a lot of glasses of water being thrown down necks, fronts, clothes and over the floor as the piece hurtles towards a probably unhappy ending for one of the characters (we're not let into exactly what that is). And so...? There wasn't enough substance to make this feel a complete show, but the talents are there for next time. Charlie, Artery.
2Faced Dance - In the Dust Zoo Southside 16 August
Three contemporary dance pieces, Subterrania, Politicking Oath and 7.0, adding up to just over an hour long show. It needs a large space and the lighting is a strong feature, which would make it unsuitable for most RT venues but if you've got the facilities, this is a stunning show. Rapturous applause from a nearly full house rewarded an incredibly athletic performance by the 8 strong, all male company. The middle piece had a very different characteristic from the other two, was less "dancey" and more illustrative and in places humorous, based on random Olympic events. The top and tail though were full-on, highly physical, bordering on hip-hop gymnastics and quite thrilling. Suitable for family audiences. Charlie, Artery.
The Gherkin Fantasies Ciao Roma 16 August
I went to see this (free) show for the advertised Hull connection (local to me). The sort-of story followed two Hull hamburger sellers entering the City's fun fried food competition. Two pretty skilled and confident performers alternate on stage with pre-recorded video snippets centred around dating vegetables. It is a sketch comedy with little narrative to drive. Light, amusing and not containing an accent that comes from anywhere near Hull, it was done well enough but strong sex references and swearing would preclude family audiences. Did not feel it would be worth following up - probably a Fringe one-off - although the two women had good comedy timing and talent and I would not be surprised if they pop up on a radio or TV sketch show in a few years time. Charlie, Artery.
Ailie Cohen - Cloud Man Hill Street Theatre 16 August
Point 1 - a beautiful show for 4-7 year olds. All other points subsidiary. The show has narrative and puppetry, together with simple but intelligent and amusing use of a tricksy little set, used to tell the story of Cloudia's life-long search for the very rare and very shy cloud men. She grows up, searching the world for clues and finding footprints, a hat and a bag on the way and eventually sets up her research base on Cloud Mountain. Inventive props and a lot of humour engaged a large age-appropriate audience, seated at the front on (lovely touch) cloud cushions. Some gentle audience interaction, nothing scarey. A strong simple story with a happy ending and moral choice for audience to consider, as Cloudia catches her long-awaited cloud man but, unable to see him unhappy, lets him go. Well performed by a single actor with excellent specially composed music. One of the best shows I saw and has done some rural touring in Scotland, so ready to go! Beware sightlines if you are considering booking as some of the tricks in the set may not be visisble if on a flat floor. Charlie, Artery.
Metamorpho - Devil in the Detail Roxy Zoo 15 August
Having so much enjoyed and respected Trestle Theatre Company, this new piece by Trestel founder Toby Wilsher was so disappointing it almost hurt. The play has been getting decent reviews, so maybe an off day for the company, or for me? It didn't have the tight choreography and full speed that farce requires and the story felt stretched to fill the 100 minutes. Following a double-dealing landlady and gold-digging daughter, variously preying on their lodgers, pets, postie and neighbourhood dog (who eventually is killed in a sash-window) this mask theatre piece was thought out in detail but lacking in impact. A big, impressive and trick-filled set but laughs were thin from the medium audience. Probably not for the rural circuit because of the size of the set but I would hesitate to recommend it. Charlie, Artery.
Saturday 27 August 2011
John Osborne, John Peel's Shed, Underbelly, Tue 23 August
High hopes of this one, but ended up a little underwhelmed. John Osborne is an extremely engaging performer, and the hour past effortlessly. He's a bit of a nut about radio, and this show is a paeon of praise to music radio (apart from Radio One which he clearly has a "thing" about). I was absorbed in his tales while he told them, and occasionally played snatches of the vinyl rejects he'd won in a competion on the John Peel programme in his youth. Was his compulsive addiction to Radio the cause or the result of a series of dead-end jobs ? In the end, it was an hour of John Osborne, I enjoyed his company while it lasted, but I'd have liked more John Peel, and I think that would be the complaint of a typical AOW audience. Having recently booked another "radio head" - Stuart Maconie - you get a much broader range of interests and enthusiasms and it's much more a stand-up show. Costs a lot more too, I would imagine..
Perhaps if I was representing Creative Arts East there might be more mileage, with all the local references. Otherwise, I don't think it would travel well.
Bob of Arts Out West
Perhaps if I was representing Creative Arts East there might be more mileage, with all the local references. Otherwise, I don't think it would travel well.
Bob of Arts Out West
Junction 25, I Hope my Heart Goes First, St George's West, Wed 24 August
The work of Junjction 25 was recommended to me, and indeed I'd had some preliminary e-mailed discussion about possibly bringing it south of the border. My hopes were probably too high. This was fairly bog-standard Youth theatre fare - a show about love and relationships both pre-pubesent and adolescent, by about 20 young people from Glasgow.
The fairly large venue was packed out; it was a sell-out show, and by no means everyone was friends or family, but it seemd to be a fairly uncritical audience and I felt the teenagers deserved better. There was some clinical material about the heart, which involved one child having to hold a real (animal) heart in one hand for the whole duration of the show; and each child's racing heartbeart was read out as they performed a very simple, ultimately boring, aerobic exercise. There were conversations that had obviously come from improvisation and were still not really focussed and honed enough for public performance. At one point "feelings" were represented by each performer squeezing a ripe tomato in one fist, so that all the debris was left on the floor.
This was the end of a long day. If my grandchildren had been taking part I'd have willingly come along to support them, but I'm sure there must be better examples of youth theatre that Scotland could show us.
Bob at Arts Out West.
The fairly large venue was packed out; it was a sell-out show, and by no means everyone was friends or family, but it seemd to be a fairly uncritical audience and I felt the teenagers deserved better. There was some clinical material about the heart, which involved one child having to hold a real (animal) heart in one hand for the whole duration of the show; and each child's racing heartbeart was read out as they performed a very simple, ultimately boring, aerobic exercise. There were conversations that had obviously come from improvisation and were still not really focussed and honed enough for public performance. At one point "feelings" were represented by each performer squeezing a ripe tomato in one fist, so that all the debris was left on the floor.
This was the end of a long day. If my grandchildren had been taking part I'd have willingly come along to support them, but I'm sure there must be better examples of youth theatre that Scotland could show us.
Bob at Arts Out West.
Folde Feather, Life Still, Pleasance Above, Thurs 25 August
I've previously booked "Folded Feather" with an object puppetry family show "Suitcase Circus", which went down extremely well with children aged 4 upwards, though the puppeteers made no attempt to "talk down" to the children, and were clearly focussed on what you can do to animate a milk straw, a ski-glove, a sock, a pair of shoes. It was a show to stimulate kids imagination, and they all went away to "try this at home".
Life Still, however, is uncompromising object puppetry for adults, performed in a gloomy space on a large low table mic'd up to amplify and echo the noises objects made upon it.Possibly set in some post-apocalyptic future -canvas, sticks, a stretcher, a blanket became nameless creatures. At one point two shapeless canvas bags became unmistakeable chickens, with some very well observed chicken action. There are many memorable images, such as the amorphous creature made from the discarded piano action of a Steinway grand. But does it tell a story ? Is it more than two clever blokes amusing themselves with bits of junk ? Are we invited in to watch them play ?
There were nine of us in the audience, much the smallest of any show I saw.
I'll probably remember bits of it for a long time, but for the LIFE of me, I STILL don't know what to make of it, or how to begin to sell it !
(Suitcase Circus is good though, and they're still touring that).
Bob of Arts Out West
Life Still, however, is uncompromising object puppetry for adults, performed in a gloomy space on a large low table mic'd up to amplify and echo the noises objects made upon it.Possibly set in some post-apocalyptic future -canvas, sticks, a stretcher, a blanket became nameless creatures. At one point two shapeless canvas bags became unmistakeable chickens, with some very well observed chicken action. There are many memorable images, such as the amorphous creature made from the discarded piano action of a Steinway grand. But does it tell a story ? Is it more than two clever blokes amusing themselves with bits of junk ? Are we invited in to watch them play ?
There were nine of us in the audience, much the smallest of any show I saw.
I'll probably remember bits of it for a long time, but for the LIFE of me, I STILL don't know what to make of it, or how to begin to sell it !
(Suitcase Circus is good though, and they're still touring that).
Bob of Arts Out West
Spike Theatre, The Games, Zoo Roxy, Wed 24 August
I will admit there were times, watching this, when I thought , "is this really too silly ?" and then I thought "naah, knob jokes done with this amount of verve will probably win over even the most staid Cumbrian audience." Fortunately Peter the promoter seems to agree with me.
Carry on Up the Olympics is, if nothing else, an inspired piece of marketing by Spike. As an "undiscovered Aristophanes comedy" we get gods , mortals, chariot racing, boxing, song and dance and puppetry of the (artificial) penis all rolled up in one good-time show. A simple set, three actors, a company with a track record of rural touring, Oh and some big sporting event going on somewhere down south to give it a bit of topicality. I met Richard Foster, the director of Brewery Arts Kendal, at this show. Spike collaborate with the Brewery on their Christmas show, and Richard hopes to bring "The Games" to Cumbria in the Spring. Should be some mileage in that.
Bob of Arts Out West
Carry on Up the Olympics is, if nothing else, an inspired piece of marketing by Spike. As an "undiscovered Aristophanes comedy" we get gods , mortals, chariot racing, boxing, song and dance and puppetry of the (artificial) penis all rolled up in one good-time show. A simple set, three actors, a company with a track record of rural touring, Oh and some big sporting event going on somewhere down south to give it a bit of topicality. I met Richard Foster, the director of Brewery Arts Kendal, at this show. Spike collaborate with the Brewery on their Christmas show, and Richard hopes to bring "The Games" to Cumbria in the Spring. Should be some mileage in that.
Bob of Arts Out West
Cloud Man and 1000 paper cranes
Just want to add my whole-hearted endorsement of these two shows. Cloud Man starts slowly, but is superbly structured and an utterley charming piece for 4+.
1000 paper cranes is one of thos rare shows which will work equally well with adults or children (probably 8+).Funny, tragic, moving, colourful - a perfectly judged piece of drama. I really hope we can get them both to tour south of the border.
Bob of Arts Out West
1000 paper cranes is one of thos rare shows which will work equally well with adults or children (probably 8+).Funny, tragic, moving, colourful - a perfectly judged piece of drama. I really hope we can get them both to tour south of the border.
Bob of Arts Out West
Luca Silvestrini's Protein, L.O.L, Zoo Southside, Wed 24 August
This was one I went to out of personal interest, having seem some parts as a work in progress at British Dance Edition. It is a most astonishing piece of contemporary dance, but also one of the most accessible, approachable and engaging dance shows I have ever seen. Based on the disconnect between virtual relationships through social networking, and the real awkwardness of face to face encounters, the 6 dancers have to speak their stories continually while dancing in an amazingly athletic fashion for an hour-long show. It's brilliantly choreographed, has a not-too-intrusive use of video projection and electronic sound track. There's also humour, as when the dancers break off to move among the audience, trying to ask advice on how to use various functions on their mobile phones.
Not one for rural touring, but if you're not sure about modern dance, do look out for it - I'm sure it will convince you.
Bob of Arts Out West
Not one for rural touring, but if you're not sure about modern dance, do look out for it - I'm sure it will convince you.
Bob of Arts Out West
1927 Theatre Co, Animals and Children took to the streets, Pleasance Two, Wednesday 24th August
One of those shows I wouldn't have gone to if it hadn't been on China Plate's list, and I'm still not sure that the title does anything to sell the show! It clearly needed no selling to the cognoscenti, however, as all shows were sold out.
This is one of the most effective fusions of animation and live action that I have seen. One can only admire the huge amount of time, skill and attention to detail which must have gone into creating it. The three performers, all white-faced a la Charlie Chaplin, gave very competent performances, but the star of the show was the animation. A triptych of white screens are set in a very shallow stage area. Each has square aperture through which the performers' head and shoulders can appear. Onto them a continually inventive and surprising animation is projected. At its simplest, we see the performer travelling through many floors of a ramshackle tenement building in a lift. Then there are split screens, frantic action, crazy camera angle...
The whole production is extremely stylised, from the costumes to the dialogue to the diction, but very succesfully creates its own world "Red Herring St", the wrong side of the tracks. The story owes something to The Pied Piper and makes an unlikely hero of the grumpy caretaker.
From a technical point of view, provided the company were able to tour three powerful video projectors and the necessary trussing to hold them in place, it could theoretically be possible to tour it into larger village halls. The overall quality is so good that any audience , including older children, say 8+, would appreciate it.
However, I suspect that the company have their eyes set on greater things-international festivals etc.
I certainly found it an enjoyable and memorable show, and can just hear my audiences saying "Well, that was certainly different !" - high praise in Cumbria.
Bob of Arts Out West
This is one of the most effective fusions of animation and live action that I have seen. One can only admire the huge amount of time, skill and attention to detail which must have gone into creating it. The three performers, all white-faced a la Charlie Chaplin, gave very competent performances, but the star of the show was the animation. A triptych of white screens are set in a very shallow stage area. Each has square aperture through which the performers' head and shoulders can appear. Onto them a continually inventive and surprising animation is projected. At its simplest, we see the performer travelling through many floors of a ramshackle tenement building in a lift. Then there are split screens, frantic action, crazy camera angle...
The whole production is extremely stylised, from the costumes to the dialogue to the diction, but very succesfully creates its own world "Red Herring St", the wrong side of the tracks. The story owes something to The Pied Piper and makes an unlikely hero of the grumpy caretaker.
From a technical point of view, provided the company were able to tour three powerful video projectors and the necessary trussing to hold them in place, it could theoretically be possible to tour it into larger village halls. The overall quality is so good that any audience , including older children, say 8+, would appreciate it.
However, I suspect that the company have their eyes set on greater things-international festivals etc.
I certainly found it an enjoyable and memorable show, and can just hear my audiences saying "Well, that was certainly different !" - high praise in Cumbria.
Bob of Arts Out West
RT productions and Citizens Theatre, One Million Tiny Plays about Britain, Hill St Theatre 3 site specific,wed 24 August
I picked this up off the "Made in Scotland" list and I'm really glad I did. Forget the "site-specific" . One short scene was performed in the theatre foyer, we then walked round to George St where the second short scene was performed in the sales floor of the ultra-trendy clothes shop "The White Stuff" before we ascended to the attic of the same store for what was essentially a small-scale theatre in the round show. This is supposedly adapted from a regular Guardian feature of overheard conversations from all over Britain. Not taking the Guardian, or any other newspaper on a regular basis, I was unaware of it, and again, it's irrelevant. What you get is a series of short plays, none of them more than 5 mins long, which reflect contemporary life in Britain. 3 actors, two men, one woman, play all the parts and all the accents from Glasgow to Suffolk, and many of the nationalities which make up contemporary Britain. A scrolling LED indicator tells you the location of each encounter. Some of the scenes start with actual recorded conversations, which are then continued by the actors, some are stand-alone. We begin with two litter pickers on Glasgow Green, one trying to persuade the other that every piece of littter tells a story. The final scene, after all sorts of itesm of clothing and possessions have bneen discarded by a huge variety of characters, ends with them picking them- unaware of the stories we ahve been told. If it could have been a rag-bag, it is in fact a well-structured hour, funny, edgy, poignant, thought-provoking, and brilliantly acted. The simple set consists of a couple of curved park benches. It looks to me as if it would tour easily. And I would have thought exactly the kind of contemporary theatre ACE wants us to do more of.
Bob of Arts Out West
Bob of Arts Out West
Friday 26 August 2011
Ontroerend Goed- Audience
This Flemish company was on the " go and see, you may not have the chance again" and I'm glad I did. Having said that, it was not for the faint hearted, and a highly disturbing piece of work. Ontroerend Goed, I have discovered, is a play on words, meaning "Feel Estate" and their work takes the concept of Forced Entertainment, and pushes it out. The audience are secretly filmed entering the auditorium, and,once seated are informed of the usual rules of theatre attendance. We are then slowly filmed by a camera on stage, our faces appearing on a huge screen behind the cameraman.We become the subject matter.
Audience is about group behaviour, about norms and boundaries, and how far a pack mentality can go. It was prescient- about gangs, what is acceptable, what is not. A young woman in the audience is picked on by the actor, and berated. She is asked to do something she doesn't want to do and all the while the camera settles on her. The audience are encouraged to goad her. we are then told off for not supporting her. Its not often I find myself wanting to be near an exit, but this was one of those occasions.
However, after this incident, controlled by the company and pushed as far as it could go without causing a total walkout; I found it a fascinating piece of interactive theatre, cleverly edited and designed to provoke thought about how leaders can control crowds and challenges our own emotions about what is, or not acceptable crowd behaviour.
Now I understand the new "rules of theatre", I would go back, and engage. Not for rural touring, but certainly glad I saw them. I would follow their work, but would always go ready for a hard time, and make sure there's a stiff drink available afterwards. This company make Forced Entertainment look like PlaySchool.
Audience is about group behaviour, about norms and boundaries, and how far a pack mentality can go. It was prescient- about gangs, what is acceptable, what is not. A young woman in the audience is picked on by the actor, and berated. She is asked to do something she doesn't want to do and all the while the camera settles on her. The audience are encouraged to goad her. we are then told off for not supporting her. Its not often I find myself wanting to be near an exit, but this was one of those occasions.
However, after this incident, controlled by the company and pushed as far as it could go without causing a total walkout; I found it a fascinating piece of interactive theatre, cleverly edited and designed to provoke thought about how leaders can control crowds and challenges our own emotions about what is, or not acceptable crowd behaviour.
Now I understand the new "rules of theatre", I would go back, and engage. Not for rural touring, but certainly glad I saw them. I would follow their work, but would always go ready for a hard time, and make sure there's a stiff drink available afterwards. This company make Forced Entertainment look like PlaySchool.
catch up post from Spot On Sue
I did a few reviews whilst in Edinburgh, but timing has meant I'm now back in the office catching up with myself. It seems others have seen the same shows as me, so I will add my comments to the bottom of theirs , rather than repeat myself. Below are my notes on others shows I saw:
Proto-type Theater
Third Person, Bonnie and Clyde(redux)
1hr
16+?
Proto-type are a Manchester/New York -based company who do some excellent work supporting emerging companies. I went along to this to support the company. There seem to be a trend towards shows involving lecture-style engagement with the audience, and use of OHPs. This is one. Its very effective, and is an exploration and analysis tale of Bonnie and Clyde from a human angle, involving film, slide projection and mathematical analysis. They killed 50 people, all men, curiously.
I enjoyed it, it would surprise rural audiences with its style, but anyone expecting a thriller /cop show would be dissapointed. Otherwise, I think many would be drawn in by the engaging discursive style. Some floorwork affected sightlines.
Probably not rural touring, but I liked the company,they're honest and hardworking, and would keep an eye on other work.
for a great trailer:
www.proto-type.org/Proto-type_Theater/Proto-type_Theater.html
Tamasha Theatre Company
Aunty Netta/The Trouble with Asian men
1 hr
This was a comedic double -bill by Asian-led Tamasha theatre. Aunty Netta is an asylum seeker from Ceylon (her words) struggling to keep upbeat in the U of K and learning to be a British citizen. She was joyful,funny,naughty and irreverant too. She shared snacks with us, and told us of her struggles with work, loneliness and making her way. Being a show in Scotland, she related the Scottish SNP to the Tamil tigers, and understood how hard thier struggle for independence could be. Fortunately being led by the great muslim leader Alex Salman ...
The second half, the Trouble with Asian Men was delicious. Two actors spoke back to the audience verbatim, words spoken by real Asian men and women, via mp3 tracks heard through headphones they were wearing. At first I sturggled to see the theatrical impact of this, but there was something very interesting about hearing such a range of voices being relayed. They were joined by comedian Richard Vranch, and his "channelling" of an aged asian mother,worrying for her 40 year son, made her words seem all the more powerful. And funny too.
Suitable for rural touring? maybe. Aunty Netta was a bit rude for some, but technically, both shows were very simple.
http://auntienetta.tamasha.org.uk/
Ten Plagues
the Traverse
1 hour
I spent my own pennies on this, being a bit of a Marc Almond fan. Putting bias to one side,I loved this show. It won a Fringe First and Marc Almond, on stage for an hour, accompanied by a solo pianist, sustains a solo operatic performance about being the survivor of the plague in London in 1665. Written by Marc Ravenhill, I expected something very strong, and hardhitting, but it was accessible and heartwarming.
Combined with the lone voice was video projection, showing a lost lover who succumbed to plague, and broke the protagonist's heart.
It showed to a packed house, with myself and Clive Anderson in the audience.
Suitable for rural touring? I wish. There were only two of them, and apart from some mild gay themes an entirely accessible show,and nothing to offend anyone; (and who is offended by a video image of a topless handsome man these days?) if you like opera, and the plague go for it.
John Clare: How to be a Leader
I was curious about this. A one man presentation exploring Dictators of the past, and common leadership themes. I enjoyed it, but its not suitable for rural touring due to some content. Definitely a late night comedy show.
National Theatre of Wales
The Dark Philosophers
I went to this out of curiosity , to see what was coming from the newest national theatre. A visually stunning show, with an inventive set, I struggled to keep up with the plot, and found the narrative jumping about alot. But I think I was punchdrunk and easily diverted by thoughts of sleep.
phew!!
Proto-type Theater
Third Person, Bonnie and Clyde(redux)
1hr
16+?
Proto-type are a Manchester/New York -based company who do some excellent work supporting emerging companies. I went along to this to support the company. There seem to be a trend towards shows involving lecture-style engagement with the audience, and use of OHPs. This is one. Its very effective, and is an exploration and analysis tale of Bonnie and Clyde from a human angle, involving film, slide projection and mathematical analysis. They killed 50 people, all men, curiously.
I enjoyed it, it would surprise rural audiences with its style, but anyone expecting a thriller /cop show would be dissapointed. Otherwise, I think many would be drawn in by the engaging discursive style. Some floorwork affected sightlines.
Probably not rural touring, but I liked the company,they're honest and hardworking, and would keep an eye on other work.
for a great trailer:
www.proto-type.org/Proto-type_Theater/Proto-type_Theater.html
Tamasha Theatre Company
Aunty Netta/The Trouble with Asian men
1 hr
This was a comedic double -bill by Asian-led Tamasha theatre. Aunty Netta is an asylum seeker from Ceylon (her words) struggling to keep upbeat in the U of K and learning to be a British citizen. She was joyful,funny,naughty and irreverant too. She shared snacks with us, and told us of her struggles with work, loneliness and making her way. Being a show in Scotland, she related the Scottish SNP to the Tamil tigers, and understood how hard thier struggle for independence could be. Fortunately being led by the great muslim leader Alex Salman ...
The second half, the Trouble with Asian Men was delicious. Two actors spoke back to the audience verbatim, words spoken by real Asian men and women, via mp3 tracks heard through headphones they were wearing. At first I sturggled to see the theatrical impact of this, but there was something very interesting about hearing such a range of voices being relayed. They were joined by comedian Richard Vranch, and his "channelling" of an aged asian mother,worrying for her 40 year son, made her words seem all the more powerful. And funny too.
Suitable for rural touring? maybe. Aunty Netta was a bit rude for some, but technically, both shows were very simple.
http://auntienetta.tamasha.org.uk/
Ten Plagues
the Traverse
1 hour
I spent my own pennies on this, being a bit of a Marc Almond fan. Putting bias to one side,I loved this show. It won a Fringe First and Marc Almond, on stage for an hour, accompanied by a solo pianist, sustains a solo operatic performance about being the survivor of the plague in London in 1665. Written by Marc Ravenhill, I expected something very strong, and hardhitting, but it was accessible and heartwarming.
Combined with the lone voice was video projection, showing a lost lover who succumbed to plague, and broke the protagonist's heart.
It showed to a packed house, with myself and Clive Anderson in the audience.
Suitable for rural touring? I wish. There were only two of them, and apart from some mild gay themes an entirely accessible show,and nothing to offend anyone; (and who is offended by a video image of a topless handsome man these days?) if you like opera, and the plague go for it.
John Clare: How to be a Leader
I was curious about this. A one man presentation exploring Dictators of the past, and common leadership themes. I enjoyed it, but its not suitable for rural touring due to some content. Definitely a late night comedy show.
National Theatre of Wales
The Dark Philosophers
I went to this out of curiosity , to see what was coming from the newest national theatre. A visually stunning show, with an inventive set, I struggled to keep up with the plot, and found the narrative jumping about alot. But I think I was punchdrunk and easily diverted by thoughts of sleep.
phew!!
Blind Summit: The Table (King Dome, Pleasance Dome, 23/08)
Three different styles of puppetry (fairly loose term, that) in a "loosely-connected triptych". Well, there was no looseness about the performance. Highly innovative, unusual and captivating puppetry from this long-established group. The venue was full (a 10pm show) and although there were existential themes, and some language with a potential to offend, the spectacle was such that children in the audience were taken with it and parents did not seem unduly concerned. It is essentially an adult show though, and it would have to be marketed appropriately for rural touring.
Certainly, it was one of the must-see shows at the Fringe this year. And very suitable for rural touring in terms of its staging requirements. If any scheme/hall were wishing to widen its offering, and the costs were right, this is well worth considering.
Certainly, it was one of the must-see shows at the Fringe this year. And very suitable for rural touring in terms of its staging requirements. If any scheme/hall were wishing to widen its offering, and the costs were right, this is well worth considering.
Peter for Arts Out West
RSH Productions: Ophelia (Space 2, theSpaces on the Mile, 25/08)
Well, my train back to the rural idyll was leaving just before seven, so I had time to take a punt for the last play of my visit, and from the Fringe directory blurb I thought this might make an interesting village hall evening play. OK, it might require some background in Hamlet, but we're a pretty sophisticated bunch of countrydwellers.
Sad to say that I didn't find a gem. First, it turned out to be a cast of five. Or six. There was so much coming and going through the curtains I did lose count. They have their exits and their entrances...
I actually found the final scene quite funny. Not sure if I was meant to, and I don't think any of the other members of the audience (10?) were laughing.
Now that I'm back and connected to superfast rural broadband I see that there is another review at Fringe Guru (though it came out after I'd booked my ticket). Pretty much what I felt. So sorry, not a rural tourer in my book. These things might be best left in the city..."Lead on, MacWhassisname!"
Sad to say that I didn't find a gem. First, it turned out to be a cast of five. Or six. There was so much coming and going through the curtains I did lose count. They have their exits and their entrances...
I actually found the final scene quite funny. Not sure if I was meant to, and I don't think any of the other members of the audience (10?) were laughing.
Now that I'm back and connected to superfast rural broadband I see that there is another review at Fringe Guru (though it came out after I'd booked my ticket). Pretty much what I felt. So sorry, not a rural tourer in my book. These things might be best left in the city..."Lead on, MacWhassisname!"
Peter for Arts Out West
Menagerie: Four For Jericho (Pleasance Two, Pleasance Courtyard, 25/08)
An overtly political piece, constructed around a naive tourist's desire to visit Jericho and the River Jordan. An early chance encounter brings him directly into the Israeli-Palestinian conflict and offers him and the audience an opportunity to appreciate (but not - ever! - to understand) the man-made nightmare of day-to-day living in those circumstances.
Undoubtedly worthy. Some really nice moments and devices - the bleating of the goat, the childrens' voices delivered from back-of-stage by the actors; the arrival at the airport and the disorientation of a foreign environment; the frenetic car journeys - but it all seemed to me quite unremitting. The car scenes were to my mind overlong, some of the characterisations just too stereotypical.
Having said that, I wouldn't dismiss the play in terms of its potential for rural touring. The set was good and simple, and used creatively and effectively. The acting was good - very good - and there was much energy there from all four actors. The audience was small when I saw the play, and in a less professional cast that can result in a less-than-optimal output, but there was no evidence of that from this group.
Peter for Arts Out West
Cul-de-Sac (Beneath, Pleasance Courtyard, 24/08)
The venue was filled to capacity for this mid-afternoon dark comedy. Word had clearly got around. And quite rightly.
A simple set and small performance area, close up to the audience - great for the village hall. Performances could not have been bettered. Alan Francis, Mike Hayley and Toby Longworth had every expression just right, and their comedy timing was perfect. The action took us to some potentially uncomfortable places, and, it's true, at times there were some in the audience who might just have appeared to be disapproving of some of the adult humour. But the preposterous fiction was pitched so well, and the acting so good, that concerned expressions dissolved into laughter as the licence to enjoy was fully exercised, and each and every scene received spontaneous applause.
A simple set and small performance area, close up to the audience - great for the village hall. Performances could not have been bettered. Alan Francis, Mike Hayley and Toby Longworth had every expression just right, and their comedy timing was perfect. The action took us to some potentially uncomfortable places, and, it's true, at times there were some in the audience who might just have appeared to be disapproving of some of the adult humour. But the preposterous fiction was pitched so well, and the acting so good, that concerned expressions dissolved into laughter as the licence to enjoy was fully exercised, and each and every scene received spontaneous applause.
Peter for Arts Out West
Dyad Productions: The Diaries of Adam and Eve (Three, Assembly George Square, 23/08)
Adapted by Elton Townend Jones from Mark Twain's humorous imaginings of the encounter between Adam and Eve in the Garden of Eden and the building of their subsequent relationship. Elton and Rebecca Vaughan play their parts to perfection, keeping the action and the dialogue sharp and truly engaging the audience. The play explores, in a very accessible way, companionship, its challenges and consolations, and has some really moving moments in among the laughs and smiles.
The set and the props are simple and effective and it would be easy to see this working well in a village hall setting and across the whole age range.
The set and the props are simple and effective and it would be easy to see this working well in a village hall setting and across the whole age range.
Peter for Arts Out West
A final post to say a big thank-you to all those invloved for giving me this enviable opportunity to attend the Festival in such a capacity, to have my pick of the shows and free rein to book anything I thought looked interesting, whilst retaining my RTA hat.
As a personal choice I finished the day with Fascinating Aida, whom I had never seen.
They were reprehensibly filthy, but cleverly hilarious, the mainly grey-haired audience were rocking , even about a song about dogging!!! As Dilye said, "look it up, but clear your google history afterwards!!!"
Thanks for all the tips, and facilites. I had a n amazing experience.
JO Cheshire Promoter
As a personal choice I finished the day with Fascinating Aida, whom I had never seen.
They were reprehensibly filthy, but cleverly hilarious, the mainly grey-haired audience were rocking , even about a song about dogging!!! As Dilye said, "look it up, but clear your google history afterwards!!!"
Thanks for all the tips, and facilites. I had a n amazing experience.
JO Cheshire Promoter
Kafka and Son, Richard Jordan productions/Theaturtle/Threshold in association with Assembly, 17.05
genre: Yetanother one actor piece.
Came beribboned with accolades from native Canada, but oh dear, I had a terrible urge to shout " Get over it" half wasy through this piece.
It was a rant by Kafka's 36 year old emotionally stunted son about his feelings about his cruel, overbearing, arrogant bully of a father. Whilst in essence one should feel empathy for him, I just found it unremitting in its obsessive criticism of everything his father had done to him.
I also needed to know more about Kafka's work to understand the nuances, I feel.
It was brilliantly acted and cleverly crafted, easily tourable, but as they arefrom canada, I wonder if it is viable financially.
Sorry to Claire who loved it; it did nothing for me!
JO Cheshire
Came beribboned with accolades from native Canada, but oh dear, I had a terrible urge to shout " Get over it" half wasy through this piece.
It was a rant by Kafka's 36 year old emotionally stunted son about his feelings about his cruel, overbearing, arrogant bully of a father. Whilst in essence one should feel empathy for him, I just found it unremitting in its obsessive criticism of everything his father had done to him.
I also needed to know more about Kafka's work to understand the nuances, I feel.
It was brilliantly acted and cleverly crafted, easily tourable, but as they arefrom canada, I wonder if it is viable financially.
Sorry to Claire who loved it; it did nothing for me!
JO Cheshire
Spike Theatre: The Games (Sanctuary, Zoo Roxy, 26/08)
In the run-up to London 2012, an examination of the ethics of the Games is timely. Prosthetic legs for all? Does the mention of Erythropoietin provoke a sharp intake of breath? Performance enhancement is a big issue to be tackled.
OK, so we can safely park all that to one side for now. In this superb fun piece by Spike Theatre, the Gods bestow three mortals with special gifts to enable them to win their events at the Olympics. The jokes are simple but splendidly maintained. We laughed from start to finish. Just remember that the original Olympics were contested in a state of total nakedness, to which the actors have to remain faithful. The result is a great romp, in the best possible sense. Action? - plenty. Singing? - yes. Dancing? - that too. Totally engaging.
Despite the obvious potential to shock, anyone offended by this would have to be of a very severely puritanical outlook. There was none such in the large and enthusiastic audience, ranging from children of 10 upwards, watching the show in the early afternoon. It would make a great night out for village hall theatre-goers. Or anyone!
Performance enhancement? Tackles the issue head on. Tackle's the issue. Head On!
OK, so we can safely park all that to one side for now. In this superb fun piece by Spike Theatre, the Gods bestow three mortals with special gifts to enable them to win their events at the Olympics. The jokes are simple but splendidly maintained. We laughed from start to finish. Just remember that the original Olympics were contested in a state of total nakedness, to which the actors have to remain faithful. The result is a great romp, in the best possible sense. Action? - plenty. Singing? - yes. Dancing? - that too. Totally engaging.
Despite the obvious potential to shock, anyone offended by this would have to be of a very severely puritanical outlook. There was none such in the large and enthusiastic audience, ranging from children of 10 upwards, watching the show in the early afternoon. It would make a great night out for village hall theatre-goers. Or anyone!
Performance enhancement? Tackles the issue head on. Tackle's the issue. Head On!
Peter for Arts Out West
Private Peaceful, by Michael Morpurgo, Scamp theatre @ Udderbellys, 14.20
Genre: A dramatised one-actor children's book for older children and adults. A school class of about 7 year olds were mostly captivated, but it is a typically quite dark story ending by Morpurgo, so very suitable for adults too.
This was an absolute triumph for the sole youg actor; lasting 1 hr 15 mins, ( though it seemd a lot longer than that?!), but, but......
There were moments in the first half, setting his story in context, pre-war childhood reminiscent of Cider with Rosie, which just seemed to go on a rather a long time, and I started to wonder when we would get to the war story, which of course it was. A 16 year old volunteer in the great War. I won't give the ending as it it reduced me to tears.
Dare I say, despite the virtuosic acting, I felt this actually could have been enhanced by more actors, perhaps the girl in the story playing herself and mother, for instance to break up the storyline.
The play was ideally in two halves with an interval as it fell naturally and one needed a break, no less than the actor deserved one.
The war part was very cleverly created and without any props other than lighting, he took us to the horror of the fighting and trenches and ubiquitous mud, contrasted cleverly with loving mud as a child, down by the river.
It is eminently tourable; best at November time to play to Armistice Day, but have we all had enough plays on the First World War even if it is Michael Morpurgo basking in the success of War Horse?
5* performance; 3* play as it stands. perhaps I was just getting played out?!
JO Cheshire
This was an absolute triumph for the sole youg actor; lasting 1 hr 15 mins, ( though it seemd a lot longer than that?!), but, but......
There were moments in the first half, setting his story in context, pre-war childhood reminiscent of Cider with Rosie, which just seemed to go on a rather a long time, and I started to wonder when we would get to the war story, which of course it was. A 16 year old volunteer in the great War. I won't give the ending as it it reduced me to tears.
Dare I say, despite the virtuosic acting, I felt this actually could have been enhanced by more actors, perhaps the girl in the story playing herself and mother, for instance to break up the storyline.
The play was ideally in two halves with an interval as it fell naturally and one needed a break, no less than the actor deserved one.
The war part was very cleverly created and without any props other than lighting, he took us to the horror of the fighting and trenches and ubiquitous mud, contrasted cleverly with loving mud as a child, down by the river.
It is eminently tourable; best at November time to play to Armistice Day, but have we all had enough plays on the First World War even if it is Michael Morpurgo basking in the success of War Horse?
5* performance; 3* play as it stands. perhaps I was just getting played out?!
JO Cheshire
Velveteen Rabbit, Backhand Theatre @Ceca, (Art School), 11.00am
Genre: Chuildren's Theatre, suitable for 0ver 4's at least
This was such a disappointment; who could go wrong with this much-loved story of a boy's toy rabbit which became real? Well this young, probably student company did!
They simply got it all wrong; the rabbit wasn't even velveteen! And it's female voice was all wrong. The Raggy Doll looked great but spoke so softly and with far too many words from a faithful interpretation of the book, that everytime she was doing the storytelling, the children all lost interest.
There were many under 3's who were only occasionally engaged; the big rabbit and horse frightened even some older children and the magic of the story was only sometimes created.
The cast did not really know how to engage with their young audience, and by the comments I heard from them as they took down the set, they obviouslyt thought they were a great hit-- but they weren't.
I met someone there who is a producer of children's theatre himself, , " passionate about children's theatre", and he too was disappointed.
He was acting in a show at the Fringe, but I didn't catch which, (as I was leaving next day, shame on me!), but is currently touring a production of The Owl and the Pussycat which looked good from the flyer, and there are DVD's or clips available he told me. He was Ivan Stott, of Hiccup Theatre. Might be worth a look; this one isn't.
JO Cheshire
This was such a disappointment; who could go wrong with this much-loved story of a boy's toy rabbit which became real? Well this young, probably student company did!
They simply got it all wrong; the rabbit wasn't even velveteen! And it's female voice was all wrong. The Raggy Doll looked great but spoke so softly and with far too many words from a faithful interpretation of the book, that everytime she was doing the storytelling, the children all lost interest.
There were many under 3's who were only occasionally engaged; the big rabbit and horse frightened even some older children and the magic of the story was only sometimes created.
The cast did not really know how to engage with their young audience, and by the comments I heard from them as they took down the set, they obviouslyt thought they were a great hit-- but they weren't.
I met someone there who is a producer of children's theatre himself, , " passionate about children's theatre", and he too was disappointed.
He was acting in a show at the Fringe, but I didn't catch which, (as I was leaving next day, shame on me!), but is currently touring a production of The Owl and the Pussycat which looked good from the flyer, and there are DVD's or clips available he told me. He was Ivan Stott, of Hiccup Theatre. Might be worth a look; this one isn't.
JO Cheshire
Bluebird, by Squint Theatre, @Bedlam, 9.00pm
Genre: Edgy urban drama but with univeral theme of loss and longing and damaged relationships
This was well staged with stark choreographed intermissions of people rusjhing aroud ataions, but actually I wondered afterwards quite how that really related to the main subject matter, which was a series of encounters by a London cabbie, with a dark, shattering secret, with his "fares, as we call them".
The mini- stories of "the Fres" were not all immediately comprehensible, but the main story carried it through and the revelation of the secret was suitably shocking.
It might be a few to many swerar words for rural sensibilities, but the main issue would be the cast of 12, which seemed a bit self-indulgenyt of the Director as I am sure they could have been double-cast.
I was also surprised that there wasn't a black actor amongst the cast, which has already played in London.
4* performance but not really suitable for touring.
JO Cheshire
This was well staged with stark choreographed intermissions of people rusjhing aroud ataions, but actually I wondered afterwards quite how that really related to the main subject matter, which was a series of encounters by a London cabbie, with a dark, shattering secret, with his "fares, as we call them".
The mini- stories of "the Fres" were not all immediately comprehensible, but the main story carried it through and the revelation of the secret was suitably shocking.
It might be a few to many swerar words for rural sensibilities, but the main issue would be the cast of 12, which seemed a bit self-indulgenyt of the Director as I am sure they could have been double-cast.
I was also surprised that there wasn't a black actor amongst the cast, which has already played in London.
4* performance but not really suitable for touring.
JO Cheshire
The Trials of Galileo, Hint of Lime Productions, @CAquila, 21, 6.50
Genre: One-man tour de force historical enactment of Galileo's imprisonment and denunciation for his theory that the planets revolve around the sun.
by Nic Young, and acted by Tim Hardy, RSC actor, director, and faculty member of RADA, perhaps best known for his part in Captain Corelli's Mandolin, ( I think he was the Doctor) though a much broader CV than that.
This was so achingly clever that it made my head hurt with all the science and philosophical theory and argument, but I should stress that was at the end of a long day and I thought he was magnificent.
It was lapped up by the audience who obviously had a great knowledge of the subject.
This piece has gone down well in Unviersity's all over USA, and although incredibly different, could be a companion piece to Are there more of You? which is performed by his wife ( reviewed two days ago) Together they are 2 hours 25 minutes.
The set and his robes are very evocative, but easily transportable; perfect for rural touring.
Amazing! Would definitely book and would appeal to a more intellectual audience, I think.
It's not a "fun night out" in the tradiiton of RTA; much more challenging than that!
by Nic Young, and acted by Tim Hardy, RSC actor, director, and faculty member of RADA, perhaps best known for his part in Captain Corelli's Mandolin, ( I think he was the Doctor) though a much broader CV than that.
This was so achingly clever that it made my head hurt with all the science and philosophical theory and argument, but I should stress that was at the end of a long day and I thought he was magnificent.
It was lapped up by the audience who obviously had a great knowledge of the subject.
This piece has gone down well in Unviersity's all over USA, and although incredibly different, could be a companion piece to Are there more of You? which is performed by his wife ( reviewed two days ago) Together they are 2 hours 25 minutes.
The set and his robes are very evocative, but easily transportable; perfect for rural touring.
Amazing! Would definitely book and would appeal to a more intellectual audience, I think.
It's not a "fun night out" in the tradiiton of RTA; much more challenging than that!
Wednesday 24 August 2011
Snow Play - Lyngo Theatre. Nuclear Family. Quiet Act of Destruction. New Art Club
Snow Play. Lyngo Theatre
Pleasance Courtyard
Tues 23 Aug
Genre: Children’s Theatre
Mr Green’s returns from his summer holidays to find Mr White from the North has moved into his house. Before long snow starts to appear…. In Mr White’s pockets, on the tree, in the garden and finally in Mr Green’s house. Lots of audience participation which the children loved – sticking snow on Mr White’s coat, helping to cover the house in snow and throwing snowballs at Mr White…lots of snow balls.
A two hander with lots of interaction. One of the performers was stronger than the other, which I found a bit distracting.
The set was simple and it was a sweet story. It would work very well on the rural touring circuit and Lyngo Theatre have done some rural touring.
Length. 45 mins
Nuclear Family
The Surgeons Hall
Tues 23 Aug.
Gentre: Theatre
A one woman tour de force. The story centres round a group of three generations of Venezuelan and Soviet Jewish Immigrants who settle in New Zealand Chernobyl
Lenth 1 hr
Quiet Act of Destruction. New Art Club
The Assembly, George Square
Tues 23 Aug
Genre: Comedy
The audience are major players in this comedy show as they take on the roles of the feuding villagers of Meldrett and Melburn who fall out over the renaming of a railway station. We are required to shout, taunt and make obscene gestures at each other, which everyone joined in with gusto, progressing to scoring points by stealing a cardboard pancake, speed eating cornflake competition and a bread throwing fight. I suspect this could only happen in Edinburgh
A fun ending to my Edinburgh
Cloud Man. Ailee Cohen. Ovid’s Metamorphosis. Pants on FireThe Alchemystorium. Gomito.
Hill Street Theatre
Mon 22 Aug
Genre. Children’s theatre
Cloud Men are very elusive creatures who live far up in the clouds. Cloudia has spent all her life looking for them and has collected evidence – tiny cloud shoes, a cloud bag and cloud footprints. Eventually she finds one collects him in a jar, but lets him go. And that’s about it. The story is well told by the quirky solo performer and the set and puppets are so cute! I loved it. Puppetmaker Ailee Cohen also worked on the Man Who Planted Trees
Suitable for Rural Touring: Definitely
Age: 4 upwards
Ovid’s Metamorphosis. Pants on Fire
Pleasance Dome
Mon 22 Aug
Genre: Theatre
Set in the war years of the 1940’s, 7 actor/musicians take on a host of greek myths, with each story taking the theme of love and transformation. The show combines, music, song, dance, film, puppetry and storytelling into a fast paced inventive, funny but at times I felt a slightly frantic mix.
There are some great theatrical devices. Flats are constantly being moved around to make the actors appear and disappear. Narcissus in love with his matinee idol image on a video screen. Cupid appears as a puppet and Hermaphrodite is pursued through a sea of cardboard waves.
Suitable for Rural Touring? The show would work well, but could be too big for a lot of our venues.
Age: 12? Upwards
The Alchemystorium. Gomito
Bedlam Theatre
Mon 22 Aug
Genre. Physical Theatre
A delightful show that left everyone with a smile on their face. 3 hapless characters run a café of sorts, dispensing coffee and a little magic. For the price of a cup they will also provide you with a new partner (if you sit on the front row!). The friends are endearing and delightful to watch. The trio work in choreographed harmony.
Things start to unravel as 2 of the friends fall in love, making 3 a crowd and threatening their business and friendship. The three innocents suddenly experience the pain and passion of new love. And how important friends are. The show is performed with no words, just sounds and a soundtrack. It’s funny and a little bit sad and totally captivating. The three performers are very accomplished.
Would it work for Rural Touring?
The set is quite cumbersome and uses both sides, so is wheeled round during the performance. This would rule out smaller venues. More importantly quite a lot of the action takes place near the floor, so sightlines would be a problem for venues without raked seating. If this could be overcome, it would definitely work for rural touring.
Age suitability 13+
Length 1hr
Barbara - Highlights
Translunar Paradise. Theatre Ad Infinitum.
Pleasance Dome
Sun 21 Aug
Genre. Physical Theatre
Very excited as I thought Odyssey which I saw last year was stunning. And this was a beautifully choreographed piece about love and coming to terms with loss. 2 characters move between their older selves, wearing masks and re-live memories of when they were younger by removing the masks. A musician/singer is an equal partner to the piece adding to the poignancy and at times almost directing the action.
After his wife passes away the man escapes into his memories of their life together. Returning from beyond the grave, his wife returns to carry out one last act of love, to help him let her go. (more hankies required)
I feel a bit guilty saying it, as it was very lovely, but it felt a bit too long. I found it getting a little repetitive towards the end.
The company are familiar with rural touring and I’m sure this could tour and would be very successful.
Length 1hr 15mins
Bane 1,2 & 3. Joe Bone
Pleasance Dome
Sun 21 Aug
Genre: Comedy
I absolutely loved this show. Joe Bone is a fantastic storyteller and physical comedian who had the audience hooked from the minute he got on stage with his one man film noir parody, featuring Bruce Bane, hired hit man on the run from a variety of gangsters. The show is fast paced, very funny with one man taking on a whole cast of characters plus sound effects. The story is quite complicated but easy to follow in the hands of such a skilled performer. There was a collective intake of breath from the audience at the end, when the show delivers a shocking twist.
Added atmosphere is provided by a guitarist on stage throughout the performance.
I think I saw Bane 3, so if this were to tour, you could book Bane 1 and/or 2 as well which would make a full evening. They stand alone, but are linked through recurring characters.
This would make a fantastic rural touring piece,
Length 1 hr
Ten. Hetain Patel
Zoo Roxy
Sun 21 Aug
Genre. Spoken word/theatre
A really interesting piece, not what I was expecting at all. Three men from different cultural backgrounds, India , Barbados and Scotland Lancashire and brings in the other two performers who are drummers as the piece develops. They also use the red pigment used for the red dot on the Hindu forehead as part of the performance.
The piece is a mixture of spoken word, music and dance. Hetain’s performance is both thoughtful and witty.
Is it suitable for rural touring? – not as a stand alone. I think it would have to be part of a wider project
Length 55 mins
Barbara - Highlights
Barbara - Highlights
Edinburgh fringe reviews by Sian Kerry Arts Alive
Village Idiots in Coffin Up
A fast paced comic full mask production that would work very well on rural circuits. The profile of the audience queuing for this virtually sold out show attested to this, being predominantly over fifty, quite unusual for a fringe crowd. Stylistically it was interesting and for that reason I would book it, though it wasn't challenging in content. Three male performers create at least twelve characters ( including a very convincing air hostess with stunning legs) with speed, skill and some super fast changes. Amusing and clever with an ingenious fold out set this would go down well. As ever the brevity of fringe shows might be an issue, the 'never mind the quality feel the width attitude' of some promoters can be a barrier to booking. Maybe the company could develop some kind of pre show hors d'oeuvre as a warm up/welcome act? For all ages over 7. Directed by Amanda Wilshire.
Theatre ad Infinitum in Translunar Paradise
Those of you who caught the one man Odyssey from this highly talented physical theatre company would have like me, been expecting something special. It was beautiful, moving lyrical and brilliantly performed by two actors and a musician - though actually the accordion itself needs mentioning as it was more a sound track than just an instrument. A tale of love, companionship and marriage as the old man comes to terms with the loss of his lifelong love, grieving and reliving moments of their time together. For me it was a trifle long (this seems churlish having just said that the previous show was too short!) and rather soporific in places. The actors each used a hand held mask to differentiate between old age and youth, so maybe seeing two mask pieces back to back was just bit too much. Winner of Argus Angel award
However as a total antidote, the next show Bane 1,2,3 was an intense manic verbal spectacular with one performer delivering a vocal and physical tour de force as anti hero hit man Bane. It was like watching a Hollywood crime thriller movie performed by a single actor with no set, and no lighting or costume changes (I know that sounds impossible). It was also funny and crude, grotesque in parts so although technically very doable for rural halls, probably not acceptable? However do see it if you can (it's a trilogy performed in any order, different one each day) and if you have a bold venue who can muster an open minded audience go for it. It's the sort of show that could whip up an audience via word of mouth on Facebook, I think it will generate cult status. The live score is provided by steel guitar from a seated musician with a hat pulled over his eyes on stage left, it adds a great extra dimension. age 16+?
Shock and Awe in Muscle
It's never a good idea to go to a show with high hopes (same for charity shops) as you stand to be disappointed. I knew a bit about the writer and the origins of this show and had heard good reports, so I persuaded friends to come along too, but found it a mixed bag. Some strong performances and excellent writing, but overall it was uneven both stylistically and in content. They tried to fit too much in and I would have preferred more of the physical interpretation and less words. Based on true stories and some verbatim passages, it was at times affecting and also funny, but didn't feel like it had quite got there yet. Ostensibly a look at men and maleness and how it is to be a man in the world today. I think this is a show that needs to be written, and Muscle has potential to be it, but it's not doing it for me right now. Awarded a Herald Angel. No web site.
Tim Crouch in I, Malvolio
Beautifully performed by the actor who wrote it, this man show looks at the absurd plot line of Twelfth Night from Malvolio's perspective. Personally I have Always felt that Malvolio gets a raw deal, whilst everyone is loved up and happy he is left to fester in undignified and squalid conditions, the others having had good laugh at his expense. This is a brave show which actively involves the audience, asking individuals to remove his socks, hold ropes and kick him, so pretty risky. The leopard print thong might prove somewhat risqué for prudish audiences, but he assures me he has leopard print y fronts as an alternative if f required! There are John Cleese - like tones in his delivery and it walks a line of inviting you to sympathise with his plight yet still laying himself open to ridicule. The audience have to ask themselves whose side they are on, the oppressed or the oppressor's? The ending is unusual too - leaving the audience without the opportunity to applaud the performer. The plot of Twelfth Night is revealed but a working knowledge of the play would really increase your enjoyment of this production. Simply staged with the whole auditorium lit this would work well for rural touring. Suit age 11+?
http://www.timcrouchtheatre.co.uk/
Cloud man
A beautifully crafted show with endearing puppet will be sure to fire young imaginations. The central character has spent her life searching for evidence of Cloudmen, eventually living in a shed on Cloud Mountain
Les Enfants Terribles in The Infant
Once again it serves me right as I had great expectations of this show as I loved their production Ernest and The Pale Moon two years ago. I found this indulgent and acted. A Pinter meets Orwell spoof about a police state, but at the end of it, I was left thinking 'so what'? I didn't care less about any of the characters. But there were those behind me in the audience saying it was excellent. Not for me.
Central Graduates in Sold
Contrastingly here was a very disturbing ensemble piece about human trafficking which left you wanting to go out and change things. Based on verbatim testimonies (like so much at the Fringe this year), strong performances from a young cast made you despair at the greed and inhumanity of human kind. From domestic servants sex trade, migrant agricultural workers and cocoa plantations, it's clear that human exploitation is global and slavery is alive and well; and with only one UK prosecution in 2004 it's not getting much political attention either.
One Thousand paper Cranes - Lu Kemp/Catherine Wheels
A touching and funny play about friendship and making your own fun and trying to make sense of the senseless. Sadako is ill, her hopes of winning the 600m on sports day are in jeopardy. Her friend and trainer Chiziko tries to jolly her up and to glean answers from non communicative hospital staff, but Sadako gets sicker. Set in Japan
No web site given.
Paper Birds in Thirsty
Excellent two hander with on stage musician/technician. This looks at our relationship to alcohol, and particularly the drinking habits of young women ('that's not the story we want to tell') . A combination of spoken word and movement, with a great set of three toilet cubicles. Funny, moving, disturbing it was really well performed. Rang far too many bells for my liking for my eighteen year old daughter seated next to me. Age 14+?
1000 Paper Cranes. Catherine Wheels
Assembly, George Sq
Sun 21 Aug
Genre: Theatre
A Touching, funny sad play about friendship and loss. Based on a true story, Sadako is a 12 year old Japanese girl from Hiroshima, who is the best runner in her school. They play opens with her training for the school race, lots of interaction with the audience by two strong performers. When she becomes sick and has to go to hospital, her best friend decides that if they make 1000 Paper Cranes she will become well again and they set out to do this. Paper Cranes start to appear from everywhere, they hang on strings from a simple screen and they litter they stage. When it starts to snow paper cranes there isn't a dry eye in the house.
The play carries a message that it's not achieving your goal that matters, but what happens on the journey towards it. In Hiroshima the story is still celebrated today.
I absolutely loved this show and think it would be perfect for rural touring. There is also a lot of humour in the play, the actors are very engaging and create a good rapport with the audience. It's suitable for ages 8+
Barbara, Highlights
.
Sun 21 Aug
Genre: Theatre
A Touching, funny sad play about friendship and loss. Based on a true story, Sadako is a 12 year old Japanese girl from Hiroshima, who is the best runner in her school. They play opens with her training for the school race, lots of interaction with the audience by two strong performers. When she becomes sick and has to go to hospital, her best friend decides that if they make 1000 Paper Cranes she will become well again and they set out to do this. Paper Cranes start to appear from everywhere, they hang on strings from a simple screen and they litter they stage. When it starts to snow paper cranes there isn't a dry eye in the house.
The play carries a message that it's not achieving your goal that matters, but what happens on the journey towards it. In Hiroshima the story is still celebrated today.
I absolutely loved this show and think it would be perfect for rural touring. There is also a lot of humour in the play, the actors are very engaging and create a good rapport with the audience. It's suitable for ages 8+
Barbara, Highlights
.
Reviews JH (3) (Movin Mervin Brown, The Zoo, Under the Baebob Tree, Magicians do Exist)
Movin' Melvin Brown: 'A Man, A Magic, A Music' Live!
Melvin , from Texas USA, has been there and done it for many decades in the music and entertainment industry. His show was a fireball of energy and brilliant singing. Accompanied by a 4 piece band (which featured the worlds most miserable looking drummer!) he goes through the decades singing the songs that accompanied his life, from Sam Cooke, Chuck Berry, Ray Charles, Jackie Wilson. He interplays the music with anecdotes of his life and dance elements including tap dancing and male strip!. Brilliant energy and connection to an audience. He also has a children's show.
Suitable for rural touring? Yes defiantly, although he does not tour the UK much, so would probably expensive. I will drop a line to his management for an enquiry anyway. Go and see if you can!
The Zoo
Four Tarts and a couple of Pears present this one act operetta by Sullivan (he of the Gilbert and Sullivan fame) and Stephenson wrote this short piece about a collection of human characters in the Zoo. This version Didn't deviate in style from traditional Victorian staging and delivery, and therefore felt quite dated and flat. The performers were strong with good voices, though limited in a tiny cellar venue.
Suitable for rural touring. Possibly if they formed an evening of 2 1 act pieces together, and gave the productions a bit of a lift in terms of setting and staging.
Under the Baobab Tree
An intriguing collaboration between I Theatre (Singapore) and Toto Tales (UK) presented this children's performance of African story setting. using music , performance and puppetry the tales of different animals are told. The small cast of 3 work hard and create many different characters. The children watching were engaged throughout. At times it did all go a bit 'panto' and the music/song used is repeated a bit too much, that it did loose its edge a bit near the end. The puppets and costumes are the highlight of this piece. A good family piece full of colour.
Suitable for rural touring. Yes, it would travel well and suit a wide range family ages. Not the most original piece of children's theatre made, but a solid performance.
Magicians Do Exist
Chris Cresswell's show explores the comedy of Jacques Tati and the art of the clown in an interactive theatrical setting. Starting off as a lecture then moving into performance. Chris is an engaging performer, with the looks and gentle manner of Jacques Tati. There is lots of audience interaction, which is done very nicely and the set pieces of scenes from Tati's films are brought to life with other performers, which adds a very nice dimension to the piece. It did lack a bit of direction and would benefit from a bit more development to make it into a very solid piece.
Suitable for rural touring? Yes, with more contact and direction. I will contact the company to see where this piece is heading in the future.
Finally thanks to all the reviewers who have posted up here. Its wonderful to see so many postings. It will be realy useful to programmers and promoters in seeking out new work.
Many thanks. Jen
Melvin , from Texas USA, has been there and done it for many decades in the music and entertainment industry. His show was a fireball of energy and brilliant singing. Accompanied by a 4 piece band (which featured the worlds most miserable looking drummer!) he goes through the decades singing the songs that accompanied his life, from Sam Cooke, Chuck Berry, Ray Charles, Jackie Wilson. He interplays the music with anecdotes of his life and dance elements including tap dancing and male strip!. Brilliant energy and connection to an audience. He also has a children's show.
Suitable for rural touring? Yes defiantly, although he does not tour the UK much, so would probably expensive. I will drop a line to his management for an enquiry anyway. Go and see if you can!
The Zoo
Four Tarts and a couple of Pears present this one act operetta by Sullivan (he of the Gilbert and Sullivan fame) and Stephenson wrote this short piece about a collection of human characters in the Zoo. This version Didn't deviate in style from traditional Victorian staging and delivery, and therefore felt quite dated and flat. The performers were strong with good voices, though limited in a tiny cellar venue.
Suitable for rural touring. Possibly if they formed an evening of 2 1 act pieces together, and gave the productions a bit of a lift in terms of setting and staging.
Under the Baobab Tree
An intriguing collaboration between I Theatre (Singapore) and Toto Tales (UK) presented this children's performance of African story setting. using music , performance and puppetry the tales of different animals are told. The small cast of 3 work hard and create many different characters. The children watching were engaged throughout. At times it did all go a bit 'panto' and the music/song used is repeated a bit too much, that it did loose its edge a bit near the end. The puppets and costumes are the highlight of this piece. A good family piece full of colour.
Suitable for rural touring. Yes, it would travel well and suit a wide range family ages. Not the most original piece of children's theatre made, but a solid performance.
Magicians Do Exist
Chris Cresswell's show explores the comedy of Jacques Tati and the art of the clown in an interactive theatrical setting. Starting off as a lecture then moving into performance. Chris is an engaging performer, with the looks and gentle manner of Jacques Tati. There is lots of audience interaction, which is done very nicely and the set pieces of scenes from Tati's films are brought to life with other performers, which adds a very nice dimension to the piece. It did lack a bit of direction and would benefit from a bit more development to make it into a very solid piece.
Suitable for rural touring? Yes, with more contact and direction. I will contact the company to see where this piece is heading in the future.
Finally thanks to all the reviewers who have posted up here. Its wonderful to see so many postings. It will be realy useful to programmers and promoters in seeking out new work.
Many thanks. Jen
Tuesday 23 August 2011
Are there more of You?, Hint of Lime Productions;C aquila 17.25
Genre; One-woman written and performed Monologue Vignettes of the lives of four woman of a certain age who all live in the same SW London postcode and whose stories somehow all cross during the telling.
Brilliantly performed by Alison Skilbeck, a very experienced actor/writer/tutor, who I remember as Polly Perks in The Archers( many moons ago, before Sid got sexy!!)
We get to hear from the abandoned ambassadress' wife who is finding consolation in expressive art, and the tutor, ( "younger than her but with a beard, so you don't notice"!!);
a wonderfully accurate characterisation of an Italian cafe-owner with wishes for a classy trattoria with opera singers, and a very difficult mother to care for upstairs;
a "weaver" therapist. Dotty but dangerous?
and finally the world-weary business woman in a man's world with no family of her own and evenings spent in dinners with potential managers to promote.
Absolutely hilarious and riveting characterisation, skillfully preformed.
A bare set with only a chair and hatstand with some accessory changes for each charcter.
Perfect for touring
I would definitely book.
See next post as a possible two-hander, with her husband, as each are an hour and 15 only.
JO Cheshire
Brilliantly performed by Alison Skilbeck, a very experienced actor/writer/tutor, who I remember as Polly Perks in The Archers( many moons ago, before Sid got sexy!!)
We get to hear from the abandoned ambassadress' wife who is finding consolation in expressive art, and the tutor, ( "younger than her but with a beard, so you don't notice"!!);
a wonderfully accurate characterisation of an Italian cafe-owner with wishes for a classy trattoria with opera singers, and a very difficult mother to care for upstairs;
a "weaver" therapist. Dotty but dangerous?
and finally the world-weary business woman in a man's world with no family of her own and evenings spent in dinners with potential managers to promote.
Absolutely hilarious and riveting characterisation, skillfully preformed.
A bare set with only a chair and hatstand with some accessory changes for each charcter.
Perfect for touring
I would definitely book.
See next post as a possible two-hander, with her husband, as each are an hour and 15 only.
JO Cheshire
The Matchmaker, Splinters Productions, Scottish Storytelling Centre,
Genre: Dramatised storytelling; three actors, multiple parts for two of them.
This is a company made up of three actors with many years of experience between them. In concept it is a perfect rural touring play; a story about a shameless Irishman who matchmakes for remuneration, and not always too skilfully or honestly.
it leads to amusing stories and good characterisation, but, maybe I had seen too many good productions that day, but I felt unmoved and found the constant harping on sexual innuendo a bit tiresome by the interval, and I'm afraid I didn't return for the second half; something I have only ever done twice in my theatre-going before!
It seemd to be going down well for the predominantly older in years audience, who matched the actors......
Easy to tour
Would I book it: No, not with all the other choices around
JO Cheshire
This is a company made up of three actors with many years of experience between them. In concept it is a perfect rural touring play; a story about a shameless Irishman who matchmakes for remuneration, and not always too skilfully or honestly.
it leads to amusing stories and good characterisation, but, maybe I had seen too many good productions that day, but I felt unmoved and found the constant harping on sexual innuendo a bit tiresome by the interval, and I'm afraid I didn't return for the second half; something I have only ever done twice in my theatre-going before!
It seemd to be going down well for the predominantly older in years audience, who matched the actors......
Easy to tour
Would I book it: No, not with all the other choices around
JO Cheshire
Those Magnificent Men, New Perspectives with Scamp Theatre, Underbelly, 13.15
Genre; biographocal play with many laughs. perfect for "all those who loved airfix" as one character remarks, and anyone interested in the history of aviation, or those who just want a good night's entertainment. Children over 9 upwards I'd say.
Brillaint old device of "putting on a show" to descibe the lives and achievemnets of these two amazing guys, Alcock and Brown, the first to cross the Atlantic from Newfoundland to Ireland in a single flight; I learnt some fascinating facts too.
Brilliant production values, with free souvenir newspaper, great lighting which is self-sufficient to the company, and a very easy set; the piece de resistance being the lifelike creation as they speak, of the plane from a few packing cases, bits of scaffolding, canvas and trestle tables. Apparently it remains in the Science Museum, minus one propeller which graces the bar of an Irish pub, where they touched down in a bog!
I know this company are well-known on the circuit already, but this is perfect and ready for RTA, if they are still touring
another 5*
JO Cheshire
Brillaint old device of "putting on a show" to descibe the lives and achievemnets of these two amazing guys, Alcock and Brown, the first to cross the Atlantic from Newfoundland to Ireland in a single flight; I learnt some fascinating facts too.
Brilliant production values, with free souvenir newspaper, great lighting which is self-sufficient to the company, and a very easy set; the piece de resistance being the lifelike creation as they speak, of the plane from a few packing cases, bits of scaffolding, canvas and trestle tables. Apparently it remains in the Science Museum, minus one propeller which graces the bar of an Irish pub, where they touched down in a bog!
I know this company are well-known on the circuit already, but this is perfect and ready for RTA, if they are still touring
another 5*
JO Cheshire
Tearoom, an Afternoon Play, ( though on at 10.30 and 3.30!), So Far Productions; at Lauriston Hall, off Lauriston Stnr Art School
Genre: Play for teenage to adult audience; a wonderfully written cross between Alan Bennett monologues, Victoria Wood and Joanna Trollope.
A fantastic must-see lovely concept pice, which surely must have been though of before? The audience form the rest of the cafe clientele, and are served tea and cakes. 2 hour long with an interval. The setting in Lauriston Hall has been so well researched and the tea and cakes are sourced from Edinburgh institutions. The menu is the programme and production values are very high. It has already toured around their native Dorset; many of the actors are semi-pro or amateur, ( not that you's know that), and herein lies the one difficulty for it being a winning RTA show; there are 12 actors; all essential. I don't think you could double up .
The writing is brilliant and incredibly perceptive of psychology of character; ranging form an older couple with a bullying bigotted husband, a tortured wife of a husband with bi-polar, a couple of young woman meeting up after a year with one telling a momentous piece of news, a busybody neighbour, the sisters whose lifelong good/bad rolesa are about to swap as the goodie contemplates an affair, and an old lady who doesn't consider herself as old as the (old people" she loves. Her advice and wise (?) thoughts are taken up by the waitress whose story ends the play. One particular quote I loved, from the elderly philosopher, bemoaning the state of male/female relationships, though she has never heard of Men are from Mars: " women do what they can; men do what they have to"; think about it!!
Other than the problem of size of company this is perfect for RTA, no set or lighting required, self-sufficeint in tablecloths and unmatched china tea-cups
5* play
JO Cheshire
A fantastic must-see lovely concept pice, which surely must have been though of before? The audience form the rest of the cafe clientele, and are served tea and cakes. 2 hour long with an interval. The setting in Lauriston Hall has been so well researched and the tea and cakes are sourced from Edinburgh institutions. The menu is the programme and production values are very high. It has already toured around their native Dorset; many of the actors are semi-pro or amateur, ( not that you's know that), and herein lies the one difficulty for it being a winning RTA show; there are 12 actors; all essential. I don't think you could double up .
The writing is brilliant and incredibly perceptive of psychology of character; ranging form an older couple with a bullying bigotted husband, a tortured wife of a husband with bi-polar, a couple of young woman meeting up after a year with one telling a momentous piece of news, a busybody neighbour, the sisters whose lifelong good/bad rolesa are about to swap as the goodie contemplates an affair, and an old lady who doesn't consider herself as old as the (old people" she loves. Her advice and wise (?) thoughts are taken up by the waitress whose story ends the play. One particular quote I loved, from the elderly philosopher, bemoaning the state of male/female relationships, though she has never heard of Men are from Mars: " women do what they can; men do what they have to"; think about it!!
Other than the problem of size of company this is perfect for RTA, no set or lighting required, self-sufficeint in tablecloths and unmatched china tea-cups
5* play
JO Cheshire
Wrens:Tiny Teapot Theatre 5.50 @ Sweet Grassmarket
Thought this would be a sure-fire winner with Rural audiences; the audience here were all of a "certain age"
But it's a dud, sadly.
The girls just don't get the idiom of the time; though their pincurls were fabulous, their uniforms realistic, they just didn't look the part somehow.
Plot was sketchy and far too much wandering on and off stage without much purpose; central story of an unwanted pregnancy- or two- ( I know there were a lot during the war, but two in one Nissen hut!?)- diverted by the petty squabbling between the characters most of which was not developed sufficiently to make sense or be interesting.
Took place in a conference room in a swish hotel; so size-wise it is perfect, but needs more work!
J O Cheshire
But it's a dud, sadly.
The girls just don't get the idiom of the time; though their pincurls were fabulous, their uniforms realistic, they just didn't look the part somehow.
Plot was sketchy and far too much wandering on and off stage without much purpose; central story of an unwanted pregnancy- or two- ( I know there were a lot during the war, but two in one Nissen hut!?)- diverted by the petty squabbling between the characters most of which was not developed sufficiently to make sense or be interesting.
Took place in a conference room in a swish hotel; so size-wise it is perfect, but needs more work!
J O Cheshire
One Thousand Paper Cranes, Lu Kemp Productions, Assembly 2, 13.10
Genre: Childrens/adult theatre piece with a little bit of magic thrown in and bucketfuls of charm reducing this audience member to a sobbing heap! Yet inspirational and uplifting too, and extremely well acted and constructed. i absolutely loved it!
It is the true story of a young Japanese girl and her best friend, a sports enthusiast who fell victim to leukaemia from the atom bomb in the 50's. Today children from all over the world who have read her inspiring story of belief make and string hundreds of paper cranes and send to her memorial in the Peace Park in Hiroshima, ( I've seen them!)
Very energetic performance, and a lot of laughs, with comic characterisations, the hundreds of origami paper cranes, magic-ed out of the actors' hands, incredibly easy but lovely set once the cranes begin to appear.
Lots of audience interaction, in fact the show begins as you come in with the children Sadko and Chisiko doing their training for the school and national sports, with huge energy, later searching for paper, squirting water which keeps up the pace and narrative.
Lighting was great, but there were several things dropping from the heavens, snow, glitter, cranes, which may be hard to do in Village Halls, but what do I know of technicalities such as this!
Otherwise it is perfect for Rural Touring; could be tied into workshops or a module on the end of the 2nd World War for secondary schools, though young children will also gain much from it.
Definitely should be booked.
It is the true story of a young Japanese girl and her best friend, a sports enthusiast who fell victim to leukaemia from the atom bomb in the 50's. Today children from all over the world who have read her inspiring story of belief make and string hundreds of paper cranes and send to her memorial in the Peace Park in Hiroshima, ( I've seen them!)
Very energetic performance, and a lot of laughs, with comic characterisations, the hundreds of origami paper cranes, magic-ed out of the actors' hands, incredibly easy but lovely set once the cranes begin to appear.
Lots of audience interaction, in fact the show begins as you come in with the children Sadko and Chisiko doing their training for the school and national sports, with huge energy, later searching for paper, squirting water which keeps up the pace and narrative.
Lighting was great, but there were several things dropping from the heavens, snow, glitter, cranes, which may be hard to do in Village Halls, but what do I know of technicalities such as this!
Otherwise it is perfect for Rural Touring; could be tied into workshops or a module on the end of the 2nd World War for secondary schools, though young children will also gain much from it.
Definitely should be booked.
Street Dreams, Little Cauliflower company, Underbelly, Cowgate, 11.40am
Genre: Bunraku puppetry, but don't let that put you off!
I can't rave about this beautiful, very polished piece by Kent Uni students. I've already recommended to anyone I can.
This beautiful concept is about realising that, ultimately the grass is not greener elsewhere, done through the astonishly engaging puppet of an old tramp who is living amongst the rubbish of the street, and longs for a piece of grass to call his own. He has adventures with discarded banana skins and flexible hosing which come to live and wages endless war against the seagulls, ( made of old plastic bags). He ends up on a dangerous sea journey, gets shipwrecked and finds paradise, but...does it make him happy??
The piece ideally requires entire black-out and the lighting was extremely atmospheric, so hope it is self-sufficient for touring eventually. Musical accompaniment on harmonica, mouthorgan ( they are different!), kazoos, flute, mandolinand accordian conjure the different characters. there is no speech at all. It is so deatailled in conveying the character's emotions that a slow pace does not dtract and there is planty of action too. The set is completely constrcuted from rubbish.
The young company leader seemed less than keen to rural tour, but suspect they are not sure of its' value yet; also some are still training, but Arts professionals should grab them, and maybe mentor as a new RTA company for 2012??
The title needs a rethink as it conjures up a gritty piece of drama which is far from the style of this piece.
It is highly suitable to tour; mostly a young adult audience, but some younger children, school age and up to 12 loved it.
JO Cheshire
I can't rave about this beautiful, very polished piece by Kent Uni students. I've already recommended to anyone I can.
This beautiful concept is about realising that, ultimately the grass is not greener elsewhere, done through the astonishly engaging puppet of an old tramp who is living amongst the rubbish of the street, and longs for a piece of grass to call his own. He has adventures with discarded banana skins and flexible hosing which come to live and wages endless war against the seagulls, ( made of old plastic bags). He ends up on a dangerous sea journey, gets shipwrecked and finds paradise, but...does it make him happy??
The piece ideally requires entire black-out and the lighting was extremely atmospheric, so hope it is self-sufficient for touring eventually. Musical accompaniment on harmonica, mouthorgan ( they are different!), kazoos, flute, mandolinand accordian conjure the different characters. there is no speech at all. It is so deatailled in conveying the character's emotions that a slow pace does not dtract and there is planty of action too. The set is completely constrcuted from rubbish.
The young company leader seemed less than keen to rural tour, but suspect they are not sure of its' value yet; also some are still training, but Arts professionals should grab them, and maybe mentor as a new RTA company for 2012??
The title needs a rethink as it conjures up a gritty piece of drama which is far from the style of this piece.
It is highly suitable to tour; mostly a young adult audience, but some younger children, school age and up to 12 loved it.
JO Cheshire
Thirsty - The Paper Birds
| Name of company | The Paper Birds |
| Name of show | Thirsty |
| Genre | Theatre |
| Venue | Pleasance 2 |
| Date | 3rd August (Preview Performance) |
| Review **** High quality performance – 2 actresses and 1 musician. A play developed through information gathered by the company on reasons why people like to drink. There were several touching anecdotes about how some people like to drink when they get together with family, some like a glass of wine after a long week at work, but the play mainly focussed on Kylie and Gemma who like more than the odd glass. It follows them on a night out and the drunkenness that ensues. It is not a lecture why we shouldn’t drink, it is just a truthful portrayal (sometimes a little too truthful for comfort…) of a night out when a large amount of alcohol is consumed. It is funny and touching, but also, at times, quite alarming. The set worked really well. It comprises of 3 toilet cubicles – 1 is occupied by the musician who also operates all the sound cues, the other 2 have toilets on casters that are moved around the set. Probably about 8ft high – action also takes place over the sides of the cubicle walls so minimum clearance of approx. 10ft would be required. Lighting fairly basic, but several washes required, but this could be simplified for rural touring. Although all the technical elements were of a high standard, I would say that the sound was too high at some points and you struggled to hear the text under the music, but this was a preview performance and with the person operating sound sitting on the set, it would be difficult for them to judge levels. It could be uncomfortable viewing for an older audience, but a fantastic piece of physical contemporary theatre. CA @ NEAT |
| Suitable / ready for rural touring? | Yes |
| Would you book them ? | Yes, but it would have to placed in specific venues – I don’t think it would be suitable for all of my venues because of height and subject matter. |
| Would it be worth pursuing this company to consider work in the future? | Yes |
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