Tuesday, 4 September 2012


Ellen Thorpe, ArtERY live: Edinburgh Village Hall 2012
Name of company
Dugout Theatre
Name of show
Inheritance Blues
Genre
Theatre
Venue
Bedlam
Date
24.8.12

Review
Inheritance Blues is an excellent show, a great atmospheric piece of work.  The band booked to play for a gig are edgy and not enjoying the prospect of being 'locked in' the pub in a snow storm in Dorset at a daytime wake, which few people have attended and the remaining 3 being the 3  sons of the deceased.  All this sounds downbeat but is very funny and highly entertaining.    We learn more about the brothers and their relationships.  What's remarkable about this is the cast of 6 are all equally great actors, singers and musicians, they work well as an ensemble, sing well together, accapella and blues songs and are also fantastic musicians playing a range of instruments and the sax duet is wonderful.  Not for rural touring but watch those people, each individual performer is good in their own right and sure to be doing exciting work in future.
 
 

Why is the work suitable or not suitable / ready for rural touring ?
Not suitable, it would be expensive and difficult to stage.
Why would you book them ?  or  Why wouldn’t you book them ?
No, not appropriate work.
Why would it be worth pursuing this company to consider work in the future? Or not  ?
Possibly

Ellen Thorpe, ArtERY live: Edinburgh Village Hall 2012
Name of company
SNT: Molly Taylor
Name of show
Love Letters to the Transport System
Genre
Theatre
Venue
The Assembly Rooms
Date
24.8.12

Review
Love Letters to the Transport System  is a well-crafted piece, beautifully performed by Molly Taylor who also wrote (researched ) and director the work.  It’s not a play but rather very fine storytelling with an engaging actor sitting on a bus seat, there’s no action but Molly changes position from time to time so it’s not completely static.  Her delivery is engaging and she tells the story of falling out of love and falling in love and meetings and the best of times and thinks about how she arrived at place and met her lover and wishes to ‘thank’ the public transport drivers who played a key role and delivered her to her destination with love.  She sets about writing to various transport organisations to say a personal thanks to the anonymous people whose work contributes to our life but we don’t know them or thank them for what they do …  An engaging piece of storytelling beautifully executed.
 
SNT (Scottish National Theatre).

Why is the work suitable or not suitable / ready for rural touring ?
Could be suitable.
Why would you book them ?  or  Why wouldn’t you book them ?
Not sure I’d book this production but molly is a fine performer and no doubt will produce other wonderful pieces.
Why would it be worth pursuing this company to consider work in the future? Or not  ?
Yes, see above

 

Ellen Thorpe, ArtERY live: Edinburgh Village Hall 2012
Name of company
Chris Goode & Company & The Unicorn Theatre
Name of show
Monkey Bars
Genre
Theatre
Venue
Traverse Theatre
Date
24.8.12

Review
Monkey Bars was interesting experimental theatre where adults speak the words of children. The ensemble behave and relate to one another like adults, the situations are adult and the whole presentation is subverted by the words of children.  As the audience arrived white light boxes inhabited the set and marked the performing space.  An actor sat on a light box and strummed a guitar and quietly sang a song and when you listened carefully, the words were nonsense and he was crooning to a jelly!  The set was simple, and each scene was punctuated by the actors moving the light boxes and the props around, and a general rearranging and re-positioning of the set.  All the actors were excellent; it was enjoyable to watch a good ensemble piece.  Some scenes involved the whole company and others only 2 or 3 of the players.  Though it was interesting as a piece of theatre it wasn't clear what the purpose or intent of the work was or whether the experiment worked or not.
 
To make the work the company asked thirty eight to ten year-olds to tell them us about their lives, their thoughts, their world.
 
The innocence of the dialogue was quite touching and the last question hung in the air ‘what is t like to be an adult’….
 
 

Why is the work suitable or not suitable / ready for rural touring ?
No suitable, it would be expensive and difficult to stage.
Why would you book them ?  or  Why wouldn’t you book them ?
No, not appropriate work.
Why would it be worth pursuing this company to consider work in the future? Or not  ?
No

Ellen Thorpe, ArtERY live: Edinburgh Village Hall 2012
Name of company
Temple Theatre
Name of show
Unmythable
Genre
Comedy, family show
Venue
Zoo
Date
24.8.12

Review
Unmythable is a 3 hander ensemble piece.  Great show, highly energetic, good music, acting and singing as well.  The show takes you on the quest to bring back the Golden Fleece.  All the greatest Greek are here.  We meet just about everyone, including, Jason and the Argonauts as the audience are taken on the journey and meet legendary heroes, deadly monsters, see epic fights and more.  All brought alive in an unmissable adventure.  This show suitable for all ages, for everyone ages,  eight to 88 the blurb says and I would agree. 
 
 

Why is the work suitable or not suitable / ready for rural touring ?
Ready to tour and of high quality, great family entertainment.
Why would you book them ?  or  Why wouldn’t you book them ?
To present quality, accessible work that is great fun and highly entertaining.
Why would it be worth pursuing this company to consider work in the future? Or not  ?
Would work very well and be enjoyed by venues,

Ellen Thorpe, ArtERY live: Edinburgh Village Hall 2012
Name of company
Contact Theatre
Name of show
Country Boy Struggle
Genre
Hip Hop  theatre
Venue
Pleasance Courtyard
Date
23.8.12

Review
Maxwell Golden, excellent performance - great energy and immediate engagement.   The show was presented in multiple scenes, clearly defined characters, it was well presented, and fast paced.  Maxwell's move between characters is slick and easy and presents believable portrayals of all sorts of people we have all come across ... capturing and caricaturing idiosyncratic moves, demeanour and patterns of speech.  This show is coming in the Autumn and with a young audience will be involved and I am sure it will work well.   ArtERY looks forward to welcoming Maxwell to East Yorkshire.
 

Why is the work suitable or not suitable / ready for rural touring ?
Ready to tour and of high quality.
Why would you book them ?  or  Why wouldn’t you book them ?
To present high quality work for young people and a new genre, hip hop theatre.
Why would it be worth pursuing this company to consider work in the future? Or not  ?
Yes

Ellen Thorpe, ArtERY live: Edinburgh Village Hall 2012
Name of company
Luke Wright
Name of show
Your New Favourite Poet
Genre
Spoken word
Venue
Underbelly
Date
23.8.12

Review
Luke gives a fast talking, high octane performance – and the one I attended was in a difficult hot Underbelly venue. By the end of the show the audience was melting... Luke's performance was well crafted without looking like that.  His poems were well observed comments on all manner of things... he’s a really charismatic performer and engages well with the audience.
 
Luke is a successful performer and poet and now appears regularly on Radio 4.  his show was described as a ‘thigh-slapping acerbic wordplay and bawdy bar room ballads as Wright introduces you to a cast of politicians and boozy ne'er-do-wells. ‘  it was all that and more, really well observed writing and performed with energy and style.
 
 
                               

Why is the work suitable or not suitable / ready for rural touring ?
Ready to tour and of high quality performance poet.
Why would you book them ?  or  Why wouldn’t you book them ?
To present high quality work and have work on the programme that is loosely ‘literature.’
Why would it be worth pursuing this company to consider work in the future? Or not  ?
Yes for the quality work and content

Sue Williamson: Notes from Festival Fringe 2012


NOTES ON THE EDINBURGH FESTIVAL FRINGE 2012 - Sue Williamson
Village Hall Promoter, ArtERY live, East Riding of Yorkshire

This was my first visit to the Edinburgh Festival and was an immensely exciting and enjoyable experience. The opportunity to see and compare so many different productions over a short period of time was extraordinary. What a joy to be with so many people all sharing a passion for the performing arts and exchanging their responses to all the different shows they have seen - only going to prove that we are all different, all have different tastes and preferences and all love to praise and criticise! The general atmosphere is wonderful.

Maxwell Gordon  COUNTRY BOY'S STRUGGLE
Pleasance Courtyard 2  23 August 2012
Whilst I enjoyed Maxwell's performance and appreciated his obvious considerable talent, something about this didn't quite work for me. I felt it improved as it progressed. Was it the Venue (rather uncomfortable seats)? my expectations? or the rather unresponsive audience? I think it would be great for an adolescent audience embarking on  a similar journey.
Some great sections and detail - particularly enjoyed use of shadow to depict father and passage about London flat and its occupants.
My village hall? possibly. 7/10

Luke Wright  YOUR NEW FAVOURITE POET
Underbelly  23 August  2012
Thought Luke was marvellous. Consummate performer sharing wonderfully observed and very funny takes on 'Britishness'. The alliteration in the Essex poem, 'Barry Vs the Blob' was unbelievable - totally brilliant display of dexterity with words!
In spite of the somewhat claustrophobic, overheated venue, this was a memorable and inspirational performance.
My village hall? Yes 9/10

Joe Douglas/ Gareth Nicholls  EDUCATING RONNIE
Assembly 3 George Square  24 August 2012
One man show recounting the true story of the friendship which developed between Joe Douglas and Ronnie, a Ugandan who he met and who became a close friend whilst he was on his gap year, when they were both teenagers.
Narrated by Joe Douglas, this excellent production is a deeply moving and thought provoking exploration of the development of the relationship between a perceived-to-be wealthy western student and a poverty stricken Ugandan who asks for financial help to be educated.  Joe agrees to provide Ronnie with relatively small funds willingly at the outset, believing that it is a small sacrifice for him and the only opportunity Ronnie will have to get an education and break out of the poverty that he appears destined to suffer.
The demands steadily increase and Joe begins to struggle with the friendship, the benefit of charity and the burden of Ronnie's demands even questioning Ronnie's sincerity and wondering if he is being manipulated.
The accompanying soundtrack is great and use of a screen on which their email communication is displayed is very effective in retaining the tension as the story unfolds.
This is a powerful and compelling performance.
My village hall? Maybe. 8.5/10


Chris Goode  MONKEY BARS
Traverse   24 August 2012
Whilst I acknowledge there was some good acting and were some funny lines, I struggled to understand where this piece about children's thoughts and words, relayed through adult behaviour and delivery, was going and what the point was.
NN Village Hall? No! 4/10

Mai oh Mai Productions  HARRI-PARRIS, THE LEAVING DO
Zoo  24 August 2012
Wonderful feel-good entertainment!
Four engaging characters, convincingly and compellingly portrayed - great acting from all. This was very funny in every way. I loved the audience role and its involvement and the music was thoroughly enjoyable and well performed.
My village hall? Yes! 8.5/10

Dugout Theatre  INHERITANCE BLUES
Bedlam Theatre  24 August 2012
This was outstanding in every way! Superb jazz and gifted multi-talented musicians (loved the saxophonists!). Great acting of an engaging story in spite of the dark subject matter. It was very funny!
All the actors seemed particularly gifted and charismatic and stood out as notable characters and personalities with tremendous stage presence.
Best in Festival, so far!! - Very special. Would love to see it and them again.
My village hall? Yes, were it possible. 9.5/10

Shoona Reepe  THE CURIOUS SCRAPBOOK OF JOSEPHINE BEAN
Traverse at Scottish Book Trust  25 August 2012
Presented by a Dr of Scrapology, this is a charming and whimsical story of the analysis of an old scrapbook in order to learn about the lives of the characters within. It was delightful in its detail and in the unfolding contents of the book and very well performed.
The Children in the audience were totally engaged by this gifted young actress whose timing was spot on and enthusiasm inspirational.
My village hall? Maybe.7/10

Catherine Wheels  THE BALLAD OF PONDLIFE MCGURK
Traverse at Scottish Book Trust  25 August 2012
Another one man tour de force - very successful and assured storytelling.
Poignant and touching tale of a primary school friendship which ended in a fight and an attempt to make up and meet up years later - the success of which was left in the balance for the audience to ponder.
Brilliantly acted and gripping performance which held the audience enthralled.
My village hall?? Probably 8/10

Joe Bone  BANE 2
Pleasance Dome  25 August 2012
Oh dear! This just got off to a bad start for me. Arrived a bit late, bad seat high up at the back, VERY hot, struggled to hear properly and was worried about getting out in time for next show...!! etc etc.
THEN - Take off of film noir, not really my thing.
Having said all that, BANE is an incredible one man show and I recognise that whilst it wasn't for me, it is fast, brilliant acting and clearly very funny if you 'get it'! Would actually like to try it again in better circumstances.
My village hall? Unlikely 5/10

Northern Stage and Soho Theatre  OH THE HUMANITY
Northern Stage at St Stephens  25 August 2012
Very effective series of short sketches; funny, poignant and at times thought provoking. The stage set was particularly successful.
The acting was excellent and the whole production very entertaining.
My village hall?? Maybe 7/10

Barbershopera  THE 3 MUSKETEERS
Pleasance Courtyard  25 August 2012
Didn't really enjoy this as much as I hoped I would. The music and singing were very good but I didn't find the story particularly engaging and struggle slightly with the slapstick romp.
My village hall? Unlikely 5/10

Mike Daisey  THE AGONY AND ECSTASY OF STEVE JOBS
Gilded Balloon  26 August 2012
Probably something we should all see, especially those of us who have signed up to the Apple ecstasy!
Very powerful, thought provoking production adding to the general misgivings and guilt one has about consumerism, the throw away society and general greed of western capitalism.
Steve Jobs was a remarkable and undeniable genius with an enviable gift for and love of fine design, who left an extraordinary legacy which thankfully this show also celebrates.
Good production, compellingly delivered.
My village hall? does this show do rural touring?  7.5/10