Friday, 14 September 2012

Tom Sandham and Ben McFarland / The Assembly Rooms, The Thinking Drinker's Guide To Alcohol, 20 August 2012


The Thinking Drinker’s Guide to Alcohol seemed like an obvious Fringe event to check out for the Inverie Village Hall audience; it’s certainly most Knoyds' favourite pastime.  We’ve not many children to entertain here, so worth a punt on an adult show.

It’s a two man comedy show, a few props, costume changes, dry ice, bit of audience participation, two volunteers called.   Easy to put on in any Village Hall, and an entertaining night out for all (well, over 18’s that is).  It was a good gig, and yes, certainly recommended.

The hour long show takes us through a history of imbibing, along with a jaunt into philosophy, geography, and economics.  Comedy  “Infotainment”  is the buzz word.  Some groaningly awful puns too.   The motto of the sketch is “Drink less but drink better” and to encourage us along the way are free samples handed out for good example. 

Starting with a bottle each of Bishops Finger Kentish Strong Ale, and then, to illustrate the tales, follow small  shots of Jagermeister, Angostura 1919 Rum, Tangueray No Ten Gin, Pernod Absinthe, and finally Belvedere Pink Grapefruit.

I’m sure the audience laughed louder and louder as the show went on, and we all left with a warm glow :)

Elaine Williams
Knoydart Village Hall
Knoydart Arts Promotion

Wednesday, 12 September 2012


Barbara Slack. Highlights Edinburgh Village Hall 2012
Barbershopera. The Three Muskateers. The Pleasance
Reviews
Comedy barbershop quartet, but much more than that.  Their take on the three muskateers was really good musical comedy theatre, great singing, good jokes, and quite bawdy,  so pitched at an adult audience. They are very slick, very professional.  The set is quite simple with some scaffolding at the back and boxes of costumes and props at the sides.  There are 3 men and a woman in the company.  They work really well together and look as if they are having as much fun as the audience.
Why is the work suitable or not suitable / ready for rural touring ?
High standard of singing and performance.  Different type of show for our audiences
Why would you book them ?  or  Why wouldn’t you book them ?
Yes, for the reasons above.  However, at present they don’t tour with their own lights/PA and the show isn’t  suitable for under 15’s at present.
Why would it be worth pursuing this company to consider work in the future? Or not  ?
Definitely a company that would work for rural touring,  but may need to look at shows which have more of a family appeal and are self contained.

Jonny & The Baptists, The Underbelly, Cowgate
Review
Musical comedy blues band.  Lead singer/songwriter/frontman Jonny  carries the show.  His onstage persona was described as a cross between Mat Lucas and Boris Johnson, but more likeable than both, which just about summed him up.
Very funny, wildly enthusiastic, lots of interaction with the audience and a mix of topical, satirical, protest songs about anything that takes their fancy.  Accompanied by Amy on fiddle and Paddy on guitar, they have a great rapport.  I wouldn’t say they were polished, but lots of ad libbing added to the fun.  Content was a bit risqué for our audiences, but they can also offer a cleaner  version and will make songs up as they tour round.
Why is the work suitable or not suitable / ready for rural touring ?
More suited to adult audiences
Why would you book them ?  or  Why wouldn’t you book them ?
Not sure about the content for our rural audiences
Why would it be worth pursuing this company to consider work in the future? Or not  ?
Worth considering, would need some discussion with company first

Unmythable, Temple Theatre, Zoo
I loved this show, from the minute I walked in and was offered olives from smiling actors.  All the greatest Greek myths were woven into Jason and the Argonauts quest for the Golden Fleece.  It was delivered at a pace that was exhausting as the three actors took on an array of Gods, Heroes and Monsters, with the audience making up the rest.  It’s a great show for any age and the singing is pretty good as well.  Book it!

Why is the work suitable or not suitable / ready for rural touring ?
Accessible, high quality, easy to sell
Why would you book them ?  or  Why wouldn’t you book them ?
YES great family show
Why would it be worth pursuing this company to consider work in the future? Or not  ?
Definitely.


Jo Gatenby ON Tour Reviews


Insights: 5 emerging dance artists perform short works

I was keen to experience some contemporary dance in Edinburgh, since dance is my real passion. So my first show of the Fringe was 'insights'. The show included short pieces (most no longer than 15 minutes in length) from new dance companies.

Companies included: CoDa Dance Company, Eden Dance Works, Jai Hutchison, NineBOBNote Dance Theatre and John Ross.

John Ross: Man Down
Man Down tells the story of one man's journey and psychological struggle to come to terms with the daily torment of working in a war zone. This solo was beautifully choreographed using spoken text, which impacted on the dancers quirky movement. The spirals and fluidity achieved by the dancer were visually exquisite and made for a harrowing yet stunning experience.

Suitability for rural touring: This short piece would work well on the rural touring circuit, the piece involves much floor work so may need to be adapted or only shown in specific venues geared to dance.
I would highly recommend John as both a dancer and choreographer.

As Yet Unknown: NineBOBNote Dance Theatre
A fun, yet very direct piece using music by The Black keys and Electric Youth as it's back drop. The dancers entered in bras and pants with open checked shirts. The piece explored the relationship between the three women on stage, at one minute the women were best friends, the next they were criticising each other. Spoken voice was used to great dramatic effect and often the audience were left wondering how far the relationship of the three women was going to go.
I found the piece uplifting and amusing to watch, I'm not sure it would work well on the Rural touring circuit as I think it would be a difficult sell to other schemes, but I would still potentially book it.

The pieces by Jai Hutchison, Eden Dance Works and Coda Dance Company seemed to heavy and overly emotive to enjoy as an audience member. I don't think any of these pieces could be developed to create full scale pieces for the rural touring circuit.


Country Boy's Struggle- China Plate recommendation

Having booked Country Boy's Struggle through the recent Strategic Touring Bid blind, I wanted to go and see the piece for myself in order to be able to sell it to our promoters more easily.
I took two friends along to see the show, in order to gather their opinions too, my promoter and director also saw the show later in the week.

I honestly can't fault this one man show, it was immaculately performed by Maxwell who managed to portray all the different characters in his life so vividly through rap, music and dialect. I found myself willing Maxwell along on his new venture in London and was lulled into the audience participation. I am now confident that this show will work brilliantly with our young audiences and would also be interested in booking the show again for further dates in Autumn 2013/ Spring 2014.

A Midsummer Nights Dream- China Plate recommendation

I thought this show seemed rather large scale for rural audiences, there was a large cast, set and the production values seemed large scale too.

The play was well performed, although you didn't instantly warm to the actors, as I have in previous productions. There was much to cram into an hour long performance and I left feeling rushed and unfulfilled. This may have had something to do with that I also had to run to the next venue following this show!

I wouldn't book it for rural touring and feel it was a little predictable.

Beulah by The Flanagan Collective

I went to see this show based on the incredible reviews it had been receiving from professional reviews and twitter audiences.

The show explores how we view life, dreams, reality and the after life.  Inspired by William Blake, the show takes you on a journey of how we view our world and the windows available into other people's worlds and time zones. The two actors perform folk music exquisitely throughout the show, which leaves even the youngest audience members mesmerised. A gorgeous little play which would work extremely well on the rural touring circuit and one which I am considering booking for Autumn 2013.




ON Tour Promoter Maggie Corder's Edinburgh Reviews


DAVID VERNON AND DICK LEE ( they didn't have a name for their duo - if they were booked they would need to think up a a catchy name for themselves! - 'Squeeze 'n  Blow' perhaps?! )

A brilliant accordion/clarinet duo, these two played a great programme of music to suit all tastes, from Kletzmer and Balkan dance music to jazzed up Scottish airs, French musettes, Ragtime and blues, even a bit of Mozart.
Their presentation style was accessible and fun ( if a bit teehee!), and the musicianship impeccable. 

BLUESWATER COLLECTIVE
Dynamic, sexy and energetic renditions of all that music which underpins today's popular music, this Edinburgh based band flew through the history of the Blues, with classic tracks from Delta, Chicago, Muddy Waters, BB King, Screamin Jack Hawkins, Elvis, Clapton, Hendrix Stevie Ray Vaughan  all in an hour long assault on the senses. Many in the audience were incapable of sitting still, so dancing in the isles was inevitable and positively encouraged! Brilliant front man kept the pace up, gradually building the size of the band to include brass, percussion and vocal doo wop. Wonderful!

Tuesday
THE FANTASIST Theatre Temoin. Underbelly. 
A three hander, this powerful piece of theatre stays with you for days afterwards. An unusual and stunning combination of physical theatre, puppetry and original sounds and music make for a thought provoking piece on a small and cleverly arranged set. It explores the collision between fantasy and reality of bipolarity with sensitivity and humour, leaving the audience with a better understanding of the highs and lows of this disturbing and generally misunderstood condition. 
The performance was a sell out, and one of the festivals big hits. 

SELF CRITICISM
2 hander.Well acted, the struggle between the wife and the mistress figure, the home maker and the tart... but not really the stuff of local theatre tours!

Wednesday
COUNTRY BOY'S STRUGGLE
Maxwell Golden does a great job in portraying the growing up process in deepest Cornwall ( could be Yorkshire or any other rural outpost ) of a young lad wanting to get somewhere, anywhere, but mainly AWAY, into hip hop and a feeling of belonging. Moves to the big city in his search, and after many disappointments and setbacks, finds his way into the independent life he wants at the end of the rainbow. The story of migration, separation from familiar ties and family, especially his sceptical and judgemental father, to the metamorphosis he has dreamed of. Great rap, stylishly performed. 

LADY CAROL MUST DIE   one woman cabaret. 
Charming Irish girl from Cork, with her ukelele arrives on stage like the original diva and proceeds with the chat, as only the Irish can, about her life and times, her original songs accompanied by the uke in her powerful and hypnotic  voice. Slides of Irish childhood and teen years back projected while she sings, the main theme of the piece is her relationship with a difficult father from whom she escapes into punk and goth extremes. Would melt the heart of any audience with its tender and funny observations. 

Tuesday, 11 September 2012

Jen Henry - reviews 2

Jen Henry - CRTA
Here are the final few reviews I had yet to post.
Many thanks to all the bloggers on here. Its been great to read so many reviews.

Hanfunda Denki
Company - Ryuzanji Company (Tokyo)

A Japanese company bringing a very odd and disturbing piece. Set in a funeral parlour, the piece is based on a Japanese card game. Supposedly set in around 1918 (though the costumes were highly stylised and modern, so it didn’t make much difference when it was set). The premise was that the family who owned the funeral parlour were all dead and would facilitate taking the living into the world of the dead as a business. It was presented mostly as a musical , sung in typical Japanese karaoke style. The story developed as the owners tried to marry their daughter to one of the undead, but she wanted to marry a living criminal. The story went to some very dark and disturbing places, though often without much content, though of course some of that may have been lost in the translation. there were subtitles for the piece. Overall interesting to see , to see a very different style of theatre, but not a piece I would ever book.


Monkeywood Theatre - Northern stage at St Stephens.
Once in a house on fire

A raw and distinctly Mancunian true story about three sisters growing up in the shadow of poverty and domestic violence, based on Andrea Ashworth’s memoir. In a 1970s Moss Side terrace, Andy and her sisters are determined to make their family’s lives better. As their mother descends into hopeless self-destruction and a succession of stepfathers.
The group have worked closely with Ashworth to deliver this piece, and it shows. The feel is very authentic and the story told at a good pace. Occasional let ups in the pace happen during scene changes as costumes are changed on stage etc.
A company to watch for future work if not  for this piece.

Gilbert and Sullivan in Briefs
Ingenious Paradox / Nick Brooke Productions / Queens Theatre

I looked at his in a view to presenting some easy to access opera. Done very much in the style of the reduced Shakespeare type plays, its premise is that the 4 singers ( a Soprano, Mezzo, Tenor, Baritone) and piano accompaniment are told they have to go through all of Gilbert and Sullivan’s 13 operas, performing at least one song from each. In between there is some nice character interaction with small stories unfolding between the performers. Lots of frantic costumes and prop changes etc, add to the humour, but the real selling point is the quality of the singing, which was superb. It would appeal mostly to those who knew the operas, but would not exclude those who didn’t at all. Its frantic pace may make it a little hard to follow for those more unfamiliar with the works. All round good entertainment, and quality light opera.
American based production company so not sure if they will be touring.
It may be a bit too specialist for most promoters though.
I would consider booking them if they were touring , and if there was a promoter with an interest in this type of work to want them.

Edinburgh Reviews 2012 – Claire SmithCheshire's Rural Touring Arts

Chapel St – Young Vic
Wtitten by Luke Barnes
Produced by Scrawl
Underbelly
Brutal honest – from the horses mouth type show. Two Young people narrating to the audience there separate versions of one night out in their home town. Delivered with ferocious pace and vernacular language you can't but be impressed with the skills of this young male and female actors and the quality and honestly of the writing.
It’s exhausting to witness but speaks to all about the reality of that young, chaotic risk taking culture that eventually has consequences.
Would perhaps too obviously be perfect for young people.
It would be hard for regular rtn audiences to take – the language and vulgarity relentless – it would make people very uncomfortable but perhaps that would be a reason for booking it -

Strong Arm – Young Vic
Vicky Graham Productions
Underbelly
A story that doesn't really go anywhere about a fat outsider that gets addicted to exercise and goes a bit mad – not enough depth or skill on show to consider it I am afraid.

SlapDash Galaxy  - Bunk Puppets
Underbelly
Excellent – Canadian puppeteer – Single male performer – looked a bit like the Grinch ! Extraordinarily inventive. Using screens on stage and his hands and feet to make shadow puppets to tell a simple story of brothers going to space and facing danger and coming through it and coming home. Works with the audience a great deal with great skill.
Loved it for that off the wall – Family show experience – would definitely book him if e could get him to tour the UK

Nola  - look Left Look Right
UnderBelly
Verbatim Theatre piece about the BP Oil spill – love Verbatim – could do with programming more of it. Does politics from the human story angle allowing people room to come to their own conclusions. Loved the quality of the edited monologues and the performances were excellent.
I would discuss this with my programming group – but don't think I would book – just a bit static  for my liking – Interesting debate about Verbatim theatre in the bar following the show around the ethics involved in who's story you choose to tell and how you edit what people actually say.

The Fantasist – Theatre Temoin
God love this company – they were working in the smallest of spaces – or maybe just looked like this from the back where I was sitting. Story unfolds to disclose that the main protagonist character is mentally ill and her dream increasing nightmarish world is played out using extraordinary animation so inventive that it was really refreshing. The oversized male Puppet that comes out of the wardrobe that is both the woman protagonist’s lover and demon had an extraordinary presence and the kite made from masking tape made me hold my breathe.
Would definitely like to try and book this show. 

Alex Horne and his Orchestra
Bit of a one for me this – heard a lot about Alex Horne but not seen him – So this was a treat – and suggs ( Madness ) guest stared and sung It Must Be Love !



A Thousand Shards of Glass
Jane Packman Company
Northern Stage
One incredibly talented woman actor encircled in a mesh of wires defining her acting space and audience sitting around – She speaks to us all as we come in and includes individuals at times in the show to hold torches or she refers to audience members as characters in the story. The dialogue is poetic but so disjointed that I struggled to make meaning and as a result ended up disengaged. Obviously a well produced piece of work but I am afraid I couldn't find anything in it that engaged any of my senses or my intellect – talking of which - sorry don't think I was bright enough to get what this piece was asking of its audience.
Met mother of director in bar – she was lovely
 
Rash Dash  -The Ugly Sisters
Northern Stage
Wow – what a tour de force – Punk rock panto !! Anarchic at times – powerful contemporary dance at times. Comic and  sensational – We just couldn't do this justice would be my feeling – needs a bigger better equipped space than we could offer – would be interesting to see what others think

Oh The  Humanity and Other Good Intentions
Northern Stage in association with Soho Theatre
Northern Stage
Monologues delivered to the audience – painfully honest 'Talking Heads' – superbly acted and directed – very classy – beautifully produced and staged – incredibly simple almost clinical in its design. Given the line up – I am sure this would not be available for Rural Touring  and not sure I would programme it as I felt very bleak after I had seen it – however had to miss last monologue so maybe there was retribution at the end. ????

Caroline Horton's Mess
Traverse
A woman's story about her relationship with Anorexia. I found this extraordinarily moving. More so because  of the style adopted to tell the autobiographical story was very 'comic book' – almost Chitty Chitty Bang Bang delivery and humour . Fabulous performances -difficult content – fascinating style of interpretation. Mad musician/keyboard player that doesn't do as he is told  and a massive white mountain on stage which represents the anorexia.
Would book this

Once in a House on Fire
Monkeywood Theatre
Northern Stage
It was quite refreshing to watch a show that reverted to classic theatre conventions. Well drawn characters delivering dialogue to each other and music of the era to mask scene changes
Moving story of dysfunctional mother bringing up two sisters in Manchester – an adaptation of an autobiographical novel – I was engaged with this show. I story of triumph out of adversity. In fact it was a bit of light relief despite the harrowing nature of the story. Wouldn't book it however as this story can be seen played out every night on the tele  but liked the quality of two of the actors particularly.
 
Waiting for Stanley - Finger in the Pie
Zoo Roxy
oooh Wow this was my highlight for 'potential booking' purposes – one woman mime show around a story of a woman waiting for the father of her child to come home from war. The one woman performer had a warmth and humour and gentleness/ vulnerability that communicated vividly with the audience. Breathe takingly inventive.
Definitely book

MayDay MayDay – Theatre Damfino -Tristan Sturrock
Pleasance Dome
One person show – narrated directly to the audience – of an autobiographical tale of how this actor fell off a wall in Padstow and broke his back and the story follows his recovery.
No ordinary actor though – KneeHigh veteran actor Thurrock keeps his audience entertained and engaged through out. He uses the stage well and the one prop/piece furniture becomes many things efficiently in a manner which isn't contrived. He doesn't indulge in pity. The story is his therapeutic retelling in theatrical language of his extraordinary journey. There is a great deal of humour and the actor’s charisma and warmth is evident and is infectious. Great direction – Katy Carmichael
Would book  

Bitch Boxer – Young Vic
Underbelly
One woman show narrated directly to the audience – lovely show well written and performed. Topical because of Woman's Boxing and the Olympics. A portrayal of a strong charismatic determined young woman. Tells a very human moving story of her relationship to her Dad and Boxing and what happens when she loses her Dad and discovers she is more venerable than she thought.
Possible – would have to find the right audience for it     

Amusements - Sleepwalk Collective
Summer Hall
Audience in lecture theatre with Earphones – woman’s voice and sound scape comes through earphones whilst a woman who is saying the same words is on stage bathed in a red light. Very sensual- I felt cocooned /isolated but aware of others around me – It was almost like listening to a meditation tape. Really liked the experience but felt they needed to have someone to slap you round the face when you came out of the space to bring you back to reality !
Would love to try this idea of audience in headphones

Songs of The Goat – Songs of Lear
Summer Hall
This was a bit like being bathed in warm water – 10 singers and a musician – context set for each song by director – each song depicted an aspect of the story/themes of King Lear.
Polish company intense and extremely committed and talented > The Harmonies soared and were exquisite
Would love to think we could book this

Luke Wright
Underbelly
Young contemporary performance poet with a political edge. Beautifully observed and a really likable character.
Would definitely book

Grit – Tortoise in a Nutshell
Bedlam
Seemed to me a bit like a work in progress – lots of intriguing ideas – moving interpretation of a universal horror of child soldiers using animation – doesn’t seem to go anywhere though.

Inheritance Blues
Bedlam
No info in programme about this – It was brilliant – Band with 6 performers – very skilfully performed – Band are involved in the telling of the story as characters . A group of brothers meet at the wake of their recently deceased father in a remote rural pub.
I think this was a student production – but need to investigate further
Would definitely book

Peep  - Natural Shocks
Pleasance Courtyard
Intriguing and skin creeping at same time – sat in a booth with a window into a square enclosed performance space – I couldn’t see others. Lasted 20mins – was a series of statements about sex and how sexual activity and relationships change at different times of your life.

Monkey Bars – Chris Goode
Traverse
Adults speaking children’s words. Children had been interviewed on numerous subjects and the actors spoke their words verbatim. The craft of this piece I felt was the way the conversations had been edited and the decision to have the adults in very grown up costume and situations – loved it – but most likely not rural touring

Monday, 10 September 2012


Angus, Horse & Bamboo
Barbara Slack, Highlights.  Edinburgh Village Hall 2012
Genre
Puppetry/mask
Venue
Netherbow
Date
21 Aug 2012


Review
Based on the true story of a crofter from South Uist who was traumatised during the war and spent 50 years in a psychiatric unit in Inverness, during which time he didn’t speak a word but wove fantastical hats and garments from grass.  The show used puppets and masks to convey the story and was accompanied by beautiful gaelic singing  and narration, with the odd English word thrown in.  Some really lovely  poignant moments  but I found my attention wandering, possibly because I was due somewhere else 5 mins after the end.  The show will have more of a resonance north of the border,  but could work anywhere


Why is the work suitable or not suitable / ready for rural touring ?
Would work as a family show with older children but aimed more at adults
Why would you book them ?  or  Why wouldn’t you book them ?
Difficult to sell puppets and masks to adults.
Why would it be worth pursuing this company to consider work in the future? Or not  ?
Horse &Bamboo are well known and  worth pursuing.  It's some time since they've done rural touring so we'd need to build our audiences again for their work.  We're playing safe with a children's show first